"Overture: Saturday Market" by Anthony Hedges, Noel Gay, Richard Addinsell, Mansel Thomas, John Fox, David Morgan, Carey Blyton, Philip lane, Alun Hoddinott, Royal Ballet Sinfonia had its release date on March 5, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 29 in British Light Music Premieres, Vol. 6 by David Morgan, Noel Gay, Mansel Thomas, Richard Addinsell, John Fox, Carey Blyton, Philip lane, Alun Hoddinott, Anthony Hedges, BBC Concert Orchestra, Royal Ballet Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Overture: Saturday Market's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture: Saturday Market by Anthony Hedges, Noel Gay, Richard Addinsell, Mansel Thomas, John Fox, David Morgan, Carey Blyton, Philip lane, Alun Hoddinott, Royal Ballet Sinfonia is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | F Major | 1 | 7B | 140 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 0 | 8B | 68 BPM | ||
| The Cat King | Yuji Nomi | C Minor | 2 | 5A | 81 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Norsk (Norwegian). Allegro Risoluto | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | G Major | 1 | 9B | 102 BPM | ||
| El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
| The Sewing Box | Daniel de la Rosa Oliva | A Major | 0 | 11B | 103 BPM | ||
| Clover Field Search | John Powell | C Minor | 0 | 5A | 109 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | C Major | 0 | 8B | 68 BPM | ||
| Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Hamburg Symphony Orchestra, Alois Springer | C Major | 0 | 8B | 68 BPM | ||
| Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
| Lakmé: Flower Duet (Orch. E. Kunzel) | Léo Delibes, Cincinnati Pops Orchestra, Erich Kunzel | A Minor | 5 | 8A | 100 BPM | ||
| The Noble Wood (I Roderyn) - From "The Hobbit" | Howard Shore, Olivier Doise, Orchestre Philharmonique de Radio France, Ludwig Wicki | G Minor | 0 | 6A | 81 BPM | ||
| Doctor Zhivago - Prelude and Lara's Theme | Maurice Jarre | F Major | 1 | 7B | 81 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| Five Orchestral Meditations: No. 3, Candlelight Carol - Bonus Track | John Rutter, Graham Ross, Dmitri Ensemble | F♯ Major | 1 | 2B | 86 BPM | ||
| Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
| Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM | ||
| Benedick The Married Man | Patrick Doyle | E Major | 1 | 12B | 92 BPM | ||
| Dance Of The Comedians from "The Bartered Bride" | George Daugherty, Sydney Symphony Orchestra | C Major | 3 | 8B | 149 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Masques et Bergamasques, suite, Op.112: 4. Pastorale | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 72 BPM | ||
| Honour Restored - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | D Major | 1 | 10B | 88 BPM | ||
| Folk Tune and Fiddle Dance: Fiddle Dance | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 61 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 0 | 8B | 68 BPM |