"Traffic" by Adam Taylor had its release date on September 14, 2018. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Traffic's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adam Taylor's "I Think We're Alone Now (Original Motion Picture Soundtrack)" album is number 15 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Traffic is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Traffic by Adam Taylor to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Above Him, Wide and Boundless (Part III) | Steve Hackman, Steve Hackman and his Orchestra | F Major | 1 | 7B | 165 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| Bloom From Whence They Came | Solomon Grey | B Major | 4 | 1B | 90 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Mother and Father | Marc Streitenfeld | E Major | 1 | 12B | 74 BPM | ||
| Target Out of Reach | Steven Price | E Minor | 1 | 9A | 51 BPM | ||
| Feel the Same | Postculture, Adam Taylor | G Major | 9 | 9B | 130 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Goodnight Vignette | Nathan Barr | F♯ Minor | 3 | 11A | 100 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| You Are Gonna Die | Marc Streitenfeld | E♭ Major | 1 | 5B | 84 BPM | ||
| Volmer Institut | Benjamin Wallfisch | F Minor | 4 | 4A | 96 BPM | ||
| A Love Story | Rupert Gregson-Williams | A Minor | 0 | 8A | 108 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Force of Nature | Dan Romer | B♭ Major | 0 | 6B | 73 BPM | ||
| You're Not the Cursed One | David Hirschfelder | D Minor | 0 | 7A | 76 BPM | ||
| Sword and Cross | Mark Isham | D Minor | 0 | 7A | 171 BPM | ||
| Nobody Else | Postculture, Adam Taylor, Felka | G Major | 4 | 9B | 100 BPM | ||
| She Is Slowly Dying | Kevin Smuts | G Major | 0 | 9B | 65 BPM | ||
| Tilden | Danny Bensi, Saunder Jurriaans | F Major | 1 | 7B | 103 BPM | ||
| Romance Begins | Anne Nikitin | A Minor | 1 | 8A | 87 BPM | ||
| Stars | Parviz Babayev, Puzriko | D♭ Minor | 2 | 12A | 73 BPM | ||
| Transcendence | Thomas Farnon | E♭ Major | 0 | 5B | 173 BPM |