"Bassoon Concerto: I. I." by Christopher Rouse, Albany Symphony Orchestra, Peter Kolkay, David Alan Miller had its release date on June 21, 2024. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 8 out of 10 in Christopher Rouse: Concertos by Christopher Rouse, Katherine Needleman, Peter Kolkay, Eric Berlin, David Alan Miller, Albany Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Bassoon Concerto: I. I. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bassoon Concerto: I. I. by Christopher Rouse, Albany Symphony Orchestra, Peter Kolkay, David Alan Miller is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Quiet City | Aaron Copland, Philip Smith, Thomas Stacy, New York Philharmonic, Leonard Bernstein | G Minor | 0 | 6A | 70 BPM | ||
| Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Ogoun Badagris | Christopher Rouse, Concordia, Marin Alsop | D♭ Major | 5 | 3B | 127 BPM | ||
| Symphony No. 2 in B Major, Op. 14 "To October": Ia. Largo | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | F Minor | 1 | 4A | 129 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
| Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
| Four Sea Interludes From "Peter Grimes", Op. 33a: I. Dawn | Benjamin Britten, English Symphony Orchestra, William Boughton | B Minor | 3 | 10A | 120 BPM | ||
| Concerto Grosso: 1. Intrada | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 60 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Koojo No Tsuki | Rentaro Taki, Marc Grauwels | A Minor | 0 | 8A | 67 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Adams: Harmonielehre, Pt. II: the Anfortas Wound | John Adams, Edo de Waart, San Francisco Symphony | G Minor | 0 | 6A | 67 BPM | ||
| Gayane Suite No. 1: III. Armen's Solo | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 87 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM |