On December 14, 2022, the song "Karunimpa - Sahana - Adi" was released by L. Subramaniam. This song appears to be safe for all ages as it is not explicit. The track order of this song in L. Subramaniam's "Mastering Varnams Vol. III" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Karunimpa - Sahana - Adi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Karunimpa - Sahana - Adi by L. Subramaniam to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kathak - Krishnalila | Shri Kundanlal, R.K. Bharati, Hidayat Khan, Chiranji Lal Tanwar | D Major | 8 | 10B | 98 BPM | ||
| White | Apoorva Krishna, Aman Mahajan, Sunaad Anoor | C Major | 6 | 8B | 152 BPM | ||
| Making Music | Zakir Hussain | E Major | 2 | 12B | 100 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| For A Successful Day, Raga Deshkar, Teentaal | Rangaraj Rangayyan, Utpal Mazumdar | E Minor | 1 | 9A | 141 BPM | ||
| Lamenting | L. Subramaniam, Roby Lakatos, Tanmoy Bose, Frijo Francis, DSR Murthy, Jeno Lisztes | D Minor | 3 | 7A | 142 BPM | ||
| Shudha Sarang - Ustad Bismillah Khan | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 178 BPM | ||
| Sriman Narayana | L. Subramaniam, M. S. Subbulakshmi | D♭ Major | 2 | 3B | 93 BPM | ||
| Nannu Brovave | N. Ramani, Shyama Sastry | A♭ Major | 8 | 4B | 149 BPM | ||
| Raga Maluha Kalyan - Jod | Nikhil Banerjee | D Major | 6 | 10B | 103 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Raga Dvijavanthi - Jaljaivanthi | A. Kanyakumari, Janardan Mitta | A♭ Minor | 9 | 1A | 87 BPM | ||
| Nau | Bickram Ghosh, Kala Ramnath, Jesse Bannister | C Major | 5 | 8B | 110 BPM | ||
| Chandrachooda-Classical Instrumental Concert | Dr. Padmesh Parasuraman | B♭ Minor | 3 | 3A | 154 BPM | ||
| Raga Kedar, Gat In Ektaal | Shivkumar Sharma & Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Veda Mantra Pushpa | Nanditha | F Major | 7 | 7B | 110 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | D Major | 1 | 10B | 107 BPM | ||
| Tyagaraja Yoga Vaibhavam | L. Subramaniam | D♭ Major | 4 | 3B | 153 BPM | ||
| Mangal Dhun | Bismillah Khan | D Major | 2 | 10B | 117 BPM | ||
| Raga Kirwani - Alap | Ken Zuckerman | C Minor | 0 | 5A | 105 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Tulasi Bilva | T. R. Mahalingam, L. Subramaniam | G Minor | 4 | 6A | 154 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM |