Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp's ' "Captain Coram's Kids: What Is the humming?" was released on its scheduled release date, February 1, 2011. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Hurd, Ronald Corp's "Hurd: Pop Cantatas" album is number 31 out of 36. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Captain Coram's Kids: What Is the humming? is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Captain Coram's Kids: What Is the humming? by Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music's Praise: No. 2, When Whispering Strains | Michael Hurd, Hertfordshire Chorus, London Orchestra da Camera, David Temple | A Minor | 2 | 8A | 66 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | ||
| The Jester at the Wedding: I. March, "The Princess arrives March" | Eric Coates, John Wilson, BBC Philharmonic | G Major | 1 | 9B | 132 BPM | ||
| Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Sir Adrian Boult, New Philharmonia Orchestra | A Major | 1 | 11B | 67 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. for Cello and Orchestra) | Giacomo Puccini, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | A♭ Major | 1 | 4B | 87 BPM | ||
| The Londonderry Air | Hamilton Harty, Bryden Thomson, Ulster Orchestra, Pan Hon Lee | E Major | 0 | 12B | 79 BPM | ||
| El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 2 | 11B | 142 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Suite en miniature, Op. 1: IV. Menuetto | Vitezslava Kaprálová, Appassionato, Mathieu Herzog | G Major | 2 | 9B | 168 BPM | ||
| In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Madama Butterfly: Humming Chorus | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | G Major | 4 | 9B | 100 BPM | ||
| This Day to Man: No. 3, All This Night Shrill Chanticleer | Michael Hurd, Hertfordshire Chorus, London Orchestra da Camera, David Temple | A Minor | 2 | 8A | 66 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Yo-Yo Ma, Lorin Maazel, Pyotr Ilyich Tchaikovsky, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
| Hushabye Mountain | Julian Lloyd Webber/Catrin Finch | F Minor | 0 | 4A | 86 BPM | ||
| Thumbelina Suite: IV. Sad Song | Alla Pavlova, Moscow Tchaikovsky Symphony Orchestra, Patrick Baton | D Minor | 1 | 7A | 68 BPM | ||
| Clear and gentle stream, Op. 17, No. 4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Petit Mari, petite Femme | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM |