- BPM
- 86
- Key
- F Minor
- Camelot
- 4A
Hushabye Mountain by Julian Lloyd Webber/Catrin Finch Song Details
"Hushabye Mountain" by Julian Lloyd Webber/Catrin Finch had its release date on June 19, 2006. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Hushabye Mountain's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Unexpected Songs". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Hushabye Mountain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Hushabye Mountain by Julian Lloyd Webber/Catrin Finch having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -22.993 dB
- Acousticness
- 92%
- Danceability
- 26%
- Energy
- 3%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Heart Asks Pleasure First - From "The Piano" | Michael Nyman, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Minor | 3 | 8A | 165 BPM | |
 | Nocturne in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Elizabeth Mann, Deborah Hoffman | D Major | 1 | 10B | 136 BPM | |
 | Stabat mater: VIII. Virgo Virginum | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | E Minor | 2 | 9A | 120 BPM | |
 | Piano Concerto No. 1 in E Minor, Op.11: II. Romanze - Larghetto | George Fenton | E Major | 1 | 12B | 60 BPM | |
 | Spartacus: Adagio (arr. J. Galway for flute and piano) | Aram Khachaturian, Kenneth Smith, Paul Rhodes | A Major | 1 | 11B | 91 BPM | |
 | Papa, Can You Hear Me? (From "Yentl") | Michel Legrand, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Minor | 1 | 8A | 96 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Alistair McGowan | D♭ Major | 0 | 3B | 66 BPM | |
 | Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | |
 | Cello Concerto in B-Flat Major, G. 482: II. Adagio non troppo (Arr. F. Grützmacher) | Luigi Boccherini, Ludovit Kanta, Capella Istropolitana, Peter Breiner | G Minor | 0 | 6A | 89 BPM | |
 | Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 136 BPM | |
 | Violin Concerto, Op.14: I. Allegro | Seiji Ozawa, Boston Symphony Orchestra, Itzhak Perlman | C Major | 2 | 8B | 96 BPM | |
 | Pavane pour une infante defunte | Maurice Ravel, Donald Sosin, Nora Shulman, Judy Loman | E Minor | 1 | 9A | 93 BPM | |
 | Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | |
 | Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | |
 | Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | |
 | Ketèlbey: Bells across the Meadows | Albert Ketèlbey, Philharmonia Orchestra, John Lanchbery | E♭ Major | 2 | 5B | 88 BPM | |
 | Desert Island Discs (By The Sleepy Lagoon) | London Symphony Orchestra with Charles Mackerras, London Symphony Orchestra, Sir Charles Mackerras | C Major | 1 | 8B | 127 BPM | |
 | Two Sisters | Nigel Hess, Royal Philharmonic Orchestra | F Major | 0 | 7B | 65 BPM | |
 | Saint-Saëns: Le Carnaval des Animaux, R. 125: XIII. Le Cygne (Andantino grazioso) | Camille Saint-Saëns, Nash Ensemble | G Minor | 2 | 6A | 112 BPM | |
 | Massenet: Thaïs, Act 2: Méditation (Version for Violin and Piano) | Jules Massenet, Min Kym, Gordon Back | D Major | 1 | 10B | 95 BPM | |
 | Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | |
 | Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | |
 | 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | |
 | Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | |
 | Thumbelina Suite: IV. Sad Song | Alla Pavlova, Moscow Tchaikovsky Symphony Orchestra, Patrick Baton | D Minor | 1 | 7A | 68 BPM |
- ISRC
- GBAYC0502352
- Label
- L-M Records/RCA Records