"桜" by 藤原義江 had its release date on October 14, 2009. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ノイズレスSPアーカイヴズ 鉾をおさめて/藤原義江〈日本歌曲編〉, so we believe that "桜" is a single. 桜 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 桜 by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vieni Sul Mar | Al Caiola | G Major | 4 | 9B | 146 BPM | ||
| オーヴァー・ゼア | 藤原義江 | A Minor | 3 | 8A | 82 BPM | ||
| Los Amantes de Teruel | Genaro Dominguez | E Major | 4 | 12B | 76 BPM | ||
| ヴォルガの船唄 | 藤原義江 | C Minor | 1 | 5A | 102 BPM | ||
| Partant pour la Syrie | Musique des équipages de la flotte de Toulon | B♭ Major | 1 | 6B | 121 BPM | ||
| Vamos, Ó Irmãos, Marchar | Samuel Baritonista | A♭ Major | 2 | 4B | 80 BPM | ||
| Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
| La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
| Verdi: La traviata, Act 1: "Dell'invito trascorsa e gia l'ora" (Chorus, Violetta, Flora, Marquis, Gaston, Baron) | Giuseppe Verdi, Coro Cetra, Alberto Albertini, Ede Marietti Gandolfo, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai | D Major | 3 | 10B | 150 BPM | ||
| Vittoria, Mio Core! | Chai-lun Yueh | A Major | 5 | 11B | 124 BPM | ||
| La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
| La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" | Giuseppe Verdi, Alma Gluck, Enrico Caruso, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Giulio Setti | B♭ Major | 1 | 6B | 110 BPM | ||
| 母は恋しや旅の空 | 藤原義江 | D♭ Minor | 2 | 12A | 71 BPM | ||
| Scalerica de Oro - Remastered | Sofía Nöel | C Major | 2 | 8B | 72 BPM | ||
| Tiene la Jota Más Aire / El Tirar Es Cobardía (feat. Rondalla) | José Oto, Rondalla | C Major | 3 | 8B | 91 BPM | ||
| 出船の港(ピアノ伴奏) | 藤原義江 | E♭ Major | 2 | 5B | 83 BPM | ||
| ナポリは恋人 | Gigliola Cinquetti | A♭ Major | 4 | 4B | 132 BPM | ||
| リリー・マルレーン | Tokiko Kato | E Major | 1 | 12B | 92 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Nono Mandamento | Vicente Celestino | B♭ Major | 3 | 6B | 86 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM |