Catherine Leroux, Karie Richards's 'Chapter 192 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #192. Furthermore, we believe that the track originated from Germany. Chapter 192 - The Future is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 192 - The Future by Catherine Leroux, Karie Richards having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Suite Modale: I. Moderato | Carlo Corazza, Ernest Bloch | B Minor | 2 | 10A | 78 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| Sketch | Josh Taylor | E Major | 0 | 12B | 121 BPM | ||
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | E Major | 0 | 12B | 121 BPM | ||
| Gra - for solo clarinet (1993) | Alain Damiens | E Minor | 0 | 9A | 138 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | ||
| Chapter 29 - The Future | Catherine Leroux, Karie Richards | B Major | 1 | 1B | 78 BPM | ||
| Dominica in Ramis Palmarum: O Domine Jesu Christe (Arr. Solo Piano by Del Corral) | Tomás Luis de Victoria, Manuel del Corral | E Major | 0 | 12B | 121 BPM | ||
| Six Pieces: No. 1, Night | Nikolai Nikolayevich Tcherepnin, Deutsches Horn Ensemble | D♭ Major | 0 | 3B | 68 BPM | ||
| Saxophone Sonata in C-Sharp Major: II. Andante | Fernande Decruck, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| 4 Piano Pieces: No. 4, Gavotte | Sergei Rachmaninoff, Boris Giltburg | E Major | 0 | 12B | 121 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Suite for Flute and Piano Op. 34 No 1: I (moderato) | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 109 BPM | ||
| タンゴの歴史 カフェ 1930 | Nobuya Sugawa | D Minor | 1 | 7A | 90 BPM | ||
| Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | E Major | 0 | 12B | 121 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM |