Concerto grosso in D, Op. 6, No. 1: 2. Largo by Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

"Concerto grosso in D, Op. 6, No. 1: 2. Largo" by Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 1, 2002. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 38 in Baroque Adagios by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto grosso in D, Op. 6, No. 1: 2. Largo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Concerto grosso in D, Op. 6, No. 1: 2. Largo by Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 21%
Loudness: -19.306 dB
Acousticness: 87%
Danceability: 18%
Energy: 15%
Instrumentalness: 12%
Liveness: 31%
Loudness: 68%
Speechiness: 4%
Valence: 11%

Recommendations

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Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano	George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker	G Major	2	9B	85 BPM
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Flute Concerto in D Major: III. Allegro assai	Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian	D Major	2	10B	115 BPM
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