Trisha Parui's 'Aayo Kaha Se Ghanshyam' had a release date set for June 2, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Sublime Bhajans". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Aayo Kaha Se Ghanshyam's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aayo Kaha Se Ghanshyam by Trisha Parui having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| GOVINDA KRISHNA HARI OM | Trisha Parui | B♭ Minor | 8 | 3A | 93 BPM | ||
| Abhi Ye Daulat Nayi Nayi Hai | Jani Sharma | D♭ Major | 3 | 3B | 101 BPM | ||
| Hari Hari Chudiyan | Dipalee Somaiya Date | G Major | 6 | 9B | 80 BPM | ||
| Shri Hariprasad Charan | Divyang Ray, Kishan Venugopal, N.S. Venugopal | E♭ Major | 6 | 5B | 130 BPM | ||
| Ek Nazar Kripa Ki Kar Do Ladli Shri Radhe | Rajmani Arya | C Minor | 10 | 5A | 75 BPM | ||
| Krishna Krishna Hari | Nilesh Kumar Agarwal | D Major | 6 | 10B | 100 BPM | ||
| Jay Mahalaxmi | Trisha Parui | A♭ Minor | 3 | 1A | 142 BPM | ||
| Jai Radha Madhav | Indrani Bhattacherjee | C Minor | 5 | 5A | 90 BPM | ||
| Hey Murlidhar | Diksha Bais | G Major | 4 | 9B | 75 BPM | ||
| O Laxmi Mata | Supriya Pathak | G Major | 7 | 9B | 89 BPM | ||
| Kailash Niwasi Bhole Baba | Sarita Joshi, Ajay Purohit | A♭ Major | 3 | 4B | 117 BPM | ||
| Radha Rang | Devi Chitralekha, Shriyansh Pratap Singh, Kewal Krishan | D♭ Major | 7 | 3B | 80 BPM | ||
| Bhaj Om Sai | Vikrant Mathur | F♯ Major | 8 | 2B | 186 BPM | ||
| Pyaar Hoge Re | Navin Sahu, Kanchan Joshi | A Major | 6 | 11B | 81 BPM | ||
| Kanhaiya Le Chal Parli Paar | Ripudaman Joshi | D Major | 3 | 10B | 100 BPM | ||
| Ram Bhajan Gaa Le Mann | Arunita Kanjilal | G Major | 6 | 9B | 114 BPM | ||
| Shri Radha Kripa Kataksh | Simpal Kharel | D♭ Major | 3 | 3B | 101 BPM | ||
| Veer Hanumana Ati Balwana - Female Version | Nitam Dev | E♭ Major | 5 | 5B | 172 BPM | ||
| Main Fakir Hoon Tu Hai Malik | Jagjit Singh | G Major | 5 | 9B | 144 BPM | ||
| Jab Shyam Sajan Dikh Jaye Abhishek Nama | Abhishek Nama | B♭ Minor | 4 | 3A | 100 BPM | ||
| कुछ पल की जिंदगानी एक रोज सबको जाना | Kuch pal ki zindgani ek roj sabko jaana | Nirgun Chetavani bhajan | Kabir Bhajan | E Major | 4 | 12B | 85 BPM | ||
| Ram Aayenge To Angana Sajaungi | Shubhangi Joshi | B♭ Minor | 5 | 3A | 80 BPM | ||
| Raghupati Raghav Raja Ram | Trisha Parui | D♭ Major | 7 | 3B | 94 BPM | ||
| Om Jai Jagannath Hare | Trisha Parui | G Minor | 6 | 6A | 90 BPM | ||
| Prabhu Hum Bhi Sharnagat Hai | Aavya Dubey | A♭ Major | 4 | 4B | 90 BPM |