Trisha Parui's ' "Jay Mahalaxmi" was released on its scheduled release date, October 8, 2025. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Jay Mahalaxmi and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Jay Mahalaxmi's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jay Mahalaxmi by Trisha Parui to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarti Kijai Hanuman Lala Ki | Hari Om Sharan | F Minor | 7 | 4A | 90 BPM | ||
| Aarti Kunj Bihari Ki | Sonika Sharma Agarwal | B Major | 6 | 1B | 128 BPM | ||
| Bhole Tujhme Magan | Sundeep Gosswami | G Major | 7 | 9B | 174 BPM | ||
| Pata Nahi Kis Roop Main Aakar | Pujya Prembhushanji Maharaj | D Minor | 6 | 7A | 125 BPM | ||
| Hamare Saath Shri Raghunath | Govind Krsna Das | E♭ Major | 5 | 5B | 178 BPM | ||
| Shiva Shambho | Vikram Hazra | F♯ Major | 2 | 2B | 129 BPM | ||
| Hare Krishna Hare Rama | Kumar Vishu | G Major | 7 | 9B | 89 BPM | ||
| Radhe Kishori Daya Karo | Baal Gopal, Brijeshwari Goswami | C Major | 4 | 8B | 136 BPM | ||
| Hare Krishna Hare Rama | Madhuraa Bhattacharya | D Major | 5 | 10B | 106 BPM | ||
| Rudrashtakam (Shiva Chanting) | Priyankaa Bhattacharya | B Minor | 7 | 10A | 110 BPM | ||
| Mahara Kirtan Mein | Manish Tiwari | A♭ Major | 6 | 4B | 116 BPM | ||
| Tera Naam Sherowali | Jainen | D Major | 7 | 10B | 101 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Shyam Chudi Bechne Aaya | Maanya Arora | D Major | 3 | 10B | 92 BPM | ||
| He Sharde Maa | Sachin Limaye, Dr. Dipali Bhatt | C Major | 3 | 8B | 130 BPM | ||
| Aarati Kunj Bihari Ki | Suprabha KV | B Major | 5 | 1B | 102 BPM | ||
| Jai Kara Kedara | Hansraj Raghuwanshi | C Major | 5 | 8B | 140 BPM | ||
| Mera Aapki Kripa Se | Bhaiya Krishan Das Ji | B Major | 8 | 1B | 139 BPM | ||
| Shri Krishna Govinda Hare Murari | Trisha Parui | F Major | 4 | 7B | 134 BPM | ||
| Nand Ghar Anand Bhaye Jai Kanhaiya Lal Ki | Kumar Vishu | F Major | 6 | 7B | 150 BPM | ||
| Jo Karte Rahoge Bhajan Dheere Dheere | Prem Bhushan Maharaj | D Major | 4 | 10B | 114 BPM | ||
| Vrindavan Ramya Sthaan | Madhavas | E Major | 6 | 12B | 112 BPM | ||
| Aa Rahe Bhagwan Hai | Jubin Nautiyal, Rocky Khanna | F♯ Major | 8 | 2B | 62 BPM | ||
| Maiyya Mori Main Nahi Makhan Khayo (From "RadhaKrishn") | Surya Raj Kamal, Supriya Joshii, Gul Saxena | E Major | 4 | 12B | 176 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM |