"In monte Oliveti II" by Orlande de Lassus, Regensburger Domspatzen, Roland Büchner had its release date on October 7, 2011. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Regensburger Domspatzen, Roland Büchner's "Gesänge für die Ewigkeit - Passions- und Ostergesänge" album is number 10 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, In monte Oliveti II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In monte Oliveti II by Orlande de Lassus, Regensburger Domspatzen, Roland Büchner to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacri musicali affetti, Op. 5: Gaude virgo | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | G Major | 2 | 9B | 75 BPM | ||
| J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
| Gloria et honore | Francisco Guerrero, A5 Vocal Ensemble | F Major | 1 | 7B | 129 BPM | ||
| Ordo Virtutum, Szene II: "Ego Karitas" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | G Major | 1 | 9B | 66 BPM | ||
| Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 72 BPM | ||
| Guerrero: Alma mirad vuestro Dios | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Le Jeune: Le Printemps: No. 1, Revecy venir du Printans | Claude Le Jeune, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Caritas habundat in omnia | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Marília Vargas | D♭ Major | 0 | 3B | 57 BPM | ||
| Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Sextus Psalmus poenitentialis, LV 799: De Profundis clamavi | Orlande de Lassus, La Tempête, Simon-Pierre Bestion | F Major | 1 | 7B | 169 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | ||
| Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | B♭ Minor | 1 | 3A | 138 BPM |