The New English Hymnal: No. 197, For All the Saints by Ralph Vaughan Williams, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas Song Details

"The New English Hymnal: No. 197, For All the Saints" by Ralph Vaughan Williams, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas had its release date on 2003. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 22 in the song's album "The Complete New English Hymnal, Vol. 12". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The New English Hymnal: No. 197, For All the Saints is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The New English Hymnal: No. 197, For All the Saints by Ralph Vaughan Williams, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -25.946 dB
Acousticness: 100%
Danceability: 23%
Energy: 16%
Instrumentalness: 97%
Liveness: 11%
Loudness: 57%
Speechiness: 5%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Was mir behagt, ist nur die muntre Jagd!, BWV 208: No. 9, Schafe können sicher weiden (Transcr. L. Stokowski)	Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier	B♭ Major	0	6B	95 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile	Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra	E♭ Minor	0	2A	59 BPM
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Carmen Suite No. 2: Nocturne: Andantino molto* (Act III)	Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano	E♭ Major	2	5B	100 BPM
Appalachian Spring: I. Very Slowly	Aaron Copland, Leonard Bernstein, New York Philharmonic	A Major	0	11B	78 BPM
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Vernon Handley, London Philharmonic Orchestra	A Minor	2	8A	130 BPM
Symphony No. 2 in One Movement, Op. 30: V. Adagio	Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales	B♭ Major	0	6B	115 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	95 BPM
Symphony No. 1 in E Minor: II. Largo, maestoso	Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin	A Major	0	11B	70 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
On hearing the first Cuckoo in Spring	Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	80 BPM
Serenade in G Major: II. Air. Lento, ma non troppo (Original Version)	Ernest John Moeran, Ulster Orchestra, Joann Falletta	B♭ Major	3	6B	156 BPM
3 Dance Episodes from On the Town: No. 2, Lonely Town	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D Minor	2	7A	105 BPM
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto	Dag Wirén, Bournemouth Sinfonietta, Richard Studt	C Major	1	8B	129 BPM
Symphony No. 3, "Pastoral Symphony": II. Lento moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	G Minor	0	6A	88 BPM
Montgomery Variations: IV. Dawn in Dixie	Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra	D Minor	0	7A	168 BPM
Suite No. 1, "Orientale": I. Okenstamning: Adagio	Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi	B Minor	1	10A	61 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner)	Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito	A Major	1	11B	93 BPM
Stille Musik: III. Augenblicke der Serenade	Valentin Silvestrov	C Major	0	8B	86 BPM
Skibbereen	Patrick Cassidy	E Minor	1	9A	84 BPM