"Appalachian Spring: I. Very Slowly" by Aaron Copland, Leonard Bernstein, New York Philharmonic had its release date on 1960. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Appalachian Spring: I. Very Slowly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: I. Very Slowly is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: I. Very Slowly by Aaron Copland, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | ||
| Folk Tune and Fiddle Dance: Folksong | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 85 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
| The Enchanted Lake, Op. 62 | Anatoly Lyadov, Alan Gilbert, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
| Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, New York Philharmonic, Kurt Masur, Yo-Yo Ma | G Major | 0 | 9B | 72 BPM | ||
| Irish Tune from County Derry | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| On the Town, Act 1: Lonely Town. Pas de deux | Leonard Bernstein, Alison Balsom, Scott Stroman, Britten Sinfonia | E Major | 2 | 12B | 89 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | ||
| Songfest: IV. "To What You Said ..." | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, Donald Gramm, John Reardon, National Symphony Orchestra Washington | B♭ Major | 0 | 6B | 109 BPM | ||
| Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 77 BPM | ||
| Serenade For Winds, K. 361, 3rd Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 64 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace - 2017 Remastered Version | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 70 BPM | ||
| Fanfare from La Peri | Paul Dukas, New York Philharmonic, Pierre Boulez | F Minor | 2 | 4A | 95 BPM | ||
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Yo-Yo Ma, Lorin Maazel, Pyotr Ilyich Tchaikovsky, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
| Pictures at an Exhibition: IV. Bydlo | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 92 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 117 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM |