- BPM
- 63
- Key
- G Major
- Camelot
- 9B
Variation 30: Quodlibet by Johann Sebastian Bach, Jeremy Denk Song Details
Johann Sebastian Bach, Jeremy Denk's 'Variation 30: Quodlibet' had a release date set for September 30, 2013. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Jeremy Denk's "J.S. Bach: Goldberg Variations (Audio Only Version)" album is number 31 out of 32. On top of that, United States appears to be the country where this track was created. Variation 30: Quodlibet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Variation 30: Quodlibet by Johann Sebastian Bach, Jeremy Denk to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -29.966 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 2%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Waltz in G-Flat Major, D. 1/14 "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | D Minor | 1 | 7A | 113 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 128 BPM | |
 | Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Philippe Collard, Gabriel Tacchino, Michel Béroff, Orchestre de chambre de Paris, Jean-Pierre Wallez | C Major | 2 | 8B | 83 BPM | |
 | Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | |
 | Suita Lutniowa in A Minor, BWV 997: Sarabanda | nieznany, Johann Sebastian Bach, Bianka Szalaty | A Minor | 1 | 8A | 129 BPM | |
 | Bach / Busoni: Toccatas and Fugues, BV B29: No. 2, Toccata and Fugue in D Minor: Fugue (After Bach's BWV 565) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | F♯ Major | 0 | 2B | 85 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | |
 | Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | |
 | Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | |
 | Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 95 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | |
 | The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 1 | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Kenneth Heath, John Gray, Academy of St Martin in the Fields, Members, Sir Neville Marriner | D Minor | 1 | 7A | 91 BPM | |
 | Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | |
 | Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | |
 | Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | |
 | Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies | F Major | 0 | 7B | 76 BPM | |
 | Piano Concerto No. 1 in F Major, K. 37: I. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F Major | 1 | 7B | 133 BPM |
- ISRC
- USNO11300206
- Label
- L-M Records/RCA Records