Asha Bhosle, G.D. Madgulkar's ' "Thakle Re Nandlala" was released on its scheduled release date, December 31, 1960. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sudhir Phadke, Mangesh Padgaonkar, G.D. Madgulkar's "Jagachya Pathivar (Original Motion Picture Soundtrack)" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Thakle Re Nandlala is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Thakle Re Nandlala by Asha Bhosle, G.D. Madgulkar to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ilusa Ha Deh - Male Version | Anand Bhate, Prathamesh Laghate | E♭ Major | 5 | 5B | 125 BPM | ||
| Mala He Dattaguru, Pt. 1 | Asha Bhosle | F♯ Major | 2 | 2B | 92 BPM | ||
| Karuna Iyin | P. Susheela | A Major | 4 | 11B | 94 BPM | ||
| Sajana Mohana Rajasa | Suresh Wadkar, Jyostna Hardikar | G Major | 6 | 9B | 93 BPM | ||
| Aali Tun Tun Tara | Shahir Pandurang Vanmali | F♯ Major | 5 | 2B | 78 BPM | ||
| Swapan Jodi Madhur Emon | Manna Dey | A Major | 2 | 11B | 127 BPM | ||
| De Na Ekach Muka (From "Palva Palvi") | Anupama, Mahendra Kapoor | A♭ Major | 6 | 4B | 125 BPM | ||
| Tya Kowalya Phulancha | Shridhar Phadke | F♯ Major | 4 | 2B | 148 BPM | ||
| Sundar Te Dhyan | Baba Maharaj Satarkar | F♯ Minor | 6 | 11A | 90 BPM | ||
| Pari Kathetil Rajkumara | Krishna Kalle | G Major | 7 | 9B | 101 BPM | ||
| Tujhya Gala Majhya Gala | Asha Bhosle, Sudhir Phadke | C Major | 1 | 8B | 74 BPM | ||
| Chandane Shimpit Jashi | Asha Bhosle | D♭ Major | 4 | 3B | 112 BPM | ||
| Chal Uth Re Mukunda | Suman Kalyanpur | D Major | 10 | 10B | 138 BPM | ||
| Sawalya Vithala | Suman Kalyanpur | D♭ Major | 1 | 3B | 128 BPM | ||
| Vit Ji Milali Pundlika Bheti | Prahlad Shinde | E Minor | 5 | 9A | 115 BPM | ||
| Dub De Re Mon Kali Bole | Pannalal Bhattacharya | D Minor | 3 | 7A | 76 BPM | ||
| Pratham Tuj Pahata | Ramdas Kamat | G Major | 4 | 9B | 115 BPM | ||
| Baa Thaaye Bharathiye | P. B. Sreenivas | B♭ Minor | 8 | 3A | 130 BPM | ||
| Paus Datalela | Milind Ingle | D Major | 4 | 10B | 96 BPM | ||
| Parvathi Deviya | S. P. Sailaja | A♭ Major | 2 | 4B | 97 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Commentry Tabassum And Bhanwara Bada Nadan Re - Sahib Bibi Aur Ghulam | Tabassum, Asha Bhosle, Hemant Kumar | B♭ Major | 4 | 6B | 104 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| Aali Kuthunashi Kaani | Vasant Ajgaonkar | G Major | 4 | 9B | 84 BPM |