P. B. Sreenivas's ' "Baa Thaaye Bharathiye" was released on its scheduled release date, December 31, 1962. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 2 in the song's album "Thayi Karulu". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Baa Thaaye Bharathiye's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Baa Thaaye Bharathiye by P. B. Sreenivas having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kopavethake | Dr. Rajkumar | B♭ Major | 7 | 6B | 84 BPM | ||
| Baare Baare | Rajesh Krishnan, Rathnamala Prakash, Hamsalekha | A Major | 5 | 11B | 132 BPM | ||
| Minchuhola | V. Manohar, Rajesh, Suma Shastry | B♭ Minor | 4 | 3A | 117 BPM | ||
| Ede Thumbi Haadidenu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM | ||
| Bhaadrapada Shuklada - Ganesha Mahime | S. Janaki, P. B. Sreenivas | D♭ Major | 5 | 3B | 164 BPM | ||
| Aavu Eevina Naavu | Mysore Ananthaswamy | F Major | 5 | 7B | 80 BPM | ||
| Ek Do Theen Chaar | Latha Hamsalekha, Hamsalekha | F Major | 6 | 7B | 130 BPM | ||
| Valigavo Swamy | M. S. Ravigowda, B. Jayashree, Nandita | G Minor | 6 | 6A | 171 BPM | ||
| Saaru Saaru Miltry Saaru | S. P. Balasubrahmanyam, Latha Hamsalekha, Hamsalekha | D Major | 7 | 10B | 97 BPM | ||
| Chikkasaragooru | M. S. Ravigowda, B. Jayashree, Nandita | F Major | 6 | 7B | 110 BPM | ||
| Sobana Venni | M. S. Ravigowda, B. Jayashree, Nandita | E Major | 6 | 12B | 114 BPM | ||
| Thoogire Rangana | Vidyabhushana | C Major | 4 | 8B | 123 BPM | ||
| Abhayavannu - Studio | Surekha, Shamitha | F♯ Minor | 8 | 11A | 106 BPM | ||
| Jolly Baarinalli | Mysore Ananthaswamy, C. Ashwath | C Minor | 4 | 5A | 139 BPM | ||
| Ille Swarga Ille Naraka | K. S. L. Swamy, Chi. Udayashankar | F Minor | 3 | 4A | 107 BPM | ||
| Akasha Melidhe | S. P. Balasubrahmanyam, Manjula Gururaj | A♭ Major | 7 | 4B | 137 BPM | ||
| Devaru Hoseda Premada Daara | Dr. M. Balamuralikrishna, Hamsalekha | D♭ Minor | 5 | 12A | 96 BPM | ||
| Entha Mojina | Sulochana | E Minor | 2 | 9A | 123 BPM | ||
| Yellaru Maduvudu | Dr. Rajkumar, T.G. Lingappa, Kanaka Daasaru | F Minor | 5 | 4A | 156 BPM | ||
| Hosa Baalina | Dr.Rajkumar, M. Ranga Rao, Chi. Udayashankar | G Minor | 5 | 6A | 122 BPM | ||
| Thangaaliyaagi Bande | S. Janaki, Singitham Srinivasa Rao, K.V. Reddy | D Minor | 6 | 7A | 116 BPM | ||
| Aha Mogavu Entha Cheluvu | P. B. Sreenivas | C Minor | 3 | 5A | 135 BPM | ||
| Sharanu Sharanamma | Puttur Narasimha Nayak, B. R. Chaya | B Major | 5 | 1B | 148 BPM | ||
| Mellage Nade Mellage | P. B. Sreenivas | G Major | 8 | 9B | 124 BPM | ||
| Olida Swaragalu | RAGHAVENDRA RAJKUMAR, Madhusudan, Kusuma | C Major | 5 | 8B | 139 BPM |