Jim Rattigan's ' "Suspicious Circumstances" was released on its scheduled release date, October 24, 1997. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suspicious Circumstances's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Harp Album". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Suspicious Circumstances is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Suspicious Circumstances by Jim Rattigan having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky Southern | Frank Fiedler, Joe Dinkelbach | D Major | 4 | 10B | 110 BPM | ||
| Vibrant | Luna Devera | B♭ Minor | 1 | 3A | 63 BPM | ||
| Central Park West | Jim Rattigan, Hans Koller, Dave Whitford, Gene Calderazzo | B Major | 3 | 1B | 89 BPM | ||
| Afterthoughts | Kate Olson, Wayne Horvitz, Geoff Harper | G Major | 4 | 9B | 97 BPM | ||
| The Forgotten Statue | Orión Natera | D Minor | 3 | 7A | 74 BPM | ||
| Home at Last | Benjie Porecki | G Major | 4 | 9B | 97 BPM | ||
| Where Dreams Come True | Jim Rattigan | F Major | 1 | 7B | 160 BPM | ||
| Falling Through Quiet | Milan Drex | G Major | 4 | 9B | 97 BPM | ||
| That’s All (feat. Roberto Rossi, MAX TURONE & Maurizio Piancastelli) | Silvia Donati, Massimo Tagliata, Roberto Rossi, MAX TURONE, Maurizio Piancastelli | G Major | 4 | 9B | 97 BPM | ||
| 340 Blues | Lluc Casares, Joel Ross, Philip Dizack | F♯ Major | 3 | 2B | 63 BPM | ||
| What Will I Do | Jimmy Cobb, Roy Hargrove, Peter Washington | A Major | 0 | 11B | 88 BPM | ||
| Slow Notes on Empty Blocks | Jazz & Co. | G Major | 4 | 9B | 97 BPM | ||
| Starlit Sentiments | Jazz Cafè | A Minor | 4 | 8A | 91 BPM | ||
| Pannonica | Joe Locascio | E♭ Major | 1 | 5B | 98 BPM | ||
| Walz for Sonny | Martial Solal, Toots Thielemans | D Minor | 1 | 7A | 78 BPM | ||
| Urban Brass Mosaic | Darin Coley | G Major | 4 | 9B | 97 BPM | ||
| Eu Sei Que Vou Te Amar | Scott Hamilton | G Major | 4 | 9B | 97 BPM | ||
| Linmere | Jim Rattigan, Hans Koller, Dave Whitford, Gene Calderazzo | D Minor | 1 | 7A | 119 BPM | ||
| You and the Lake and the Moon - Nuccia Live | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F♯ Major | 2 | 2B | 91 BPM | ||
| The Midnight Dancer | Sax Lounge | C Major | 5 | 8B | 106 BPM | ||
| Snap Back | Sax Lounge | C Minor | 6 | 5A | 182 BPM | ||
| We Never Talked | Sky Bar Session | F Major | 5 | 7B | 107 BPM | ||
| Thirty Three And A Third | Jim Pearce | G Minor | 6 | 6A | 107 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Silk Shadows on Riverside | Amber Jazz Trio | G Major | 4 | 9B | 97 BPM |