Siroe, HWV 24, Act II: Aria. Tu di pietà mi spogli (Cosroe) by George Frideric Handel, Arcangelo, Jonathan Cohen, Christopher Purves Song Details

"Siroe, HWV 24, Act II: Aria. Tu di pietà mi spogli (Cosroe)" by George Frideric Handel, Arcangelo, Jonathan Cohen, Christopher Purves had its release date on June 29, 2018. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Christopher Purves, Arcangelo, Jonathan Cohen's "Handel: Finest Arias for Base (Bass) Voice, Vol. 2" album is number 20 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Siroe, HWV 24, Act II: Aria. Tu di pietà mi spogli (Cosroe)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Siroe, HWV 24, Act II: Aria. Tu di pietà mi spogli (Cosroe) by George Frideric Handel, Arcangelo, Jonathan Cohen, Christopher Purves to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.993 dB
Acousticness: 96%
Danceability: 18%
Energy: 8%
Instrumentalness: 75%
Liveness: 10%
Loudness: 62%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave	Cologne Chamber Orchestra, Georg Philipp Telemann	G Major	3	9B	116 BPM
Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance	Wolfgang Amadeus Mozart, Evgeny Kissin, Kremerata Baltica	B♭ Major	1	6B	81 BPM
Aria IV: Sarabande	Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider	D♭ Minor	2	12A	75 BPM
Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	1	6A	82 BPM
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
When I Am Laid in Earth	Henry Purcell, United Strings of Europe, Julian Azkoul	G Minor	0	6A	83 BPM
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Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio	Henry Purcell, John Eliot Gardiner, English Baroque Soloists	D♭ Minor	0	12A	103 BPM
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen	Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke	B♭ Minor	1	3A	129 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Armide: Passacaille	Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques	F Minor	1	4A	122 BPM
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I.	Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans	A♭ Minor	3	1A	93 BPM
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious	George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini	A Minor	0	8A	172 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
Oboe Concerto in D Minor, S. Z799: II. Adagio	Alessandro Marcello, Jozef Cejka, Capella Istropolitana, Richard Edlinger	B Minor	4	10A	116 BPM
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro	Alison Balsom	D Major	3	10B	102 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto)	George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	77 BPM
Oboe Concerto in D Minor, S. Z799: III. Presto	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D♭ Minor	3	12A	70 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto	Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra	A Minor	3	8A	118 BPM
Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	A Major	1	11B	86 BPM