"Et E Pur Dunque Vero" by Claudio Monteverdi, Rosa Lamoreaux had its release date on January 1, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 25 in Celestial Beauty in the Mission by Rosa Lamoreaux. Et E Pur Dunque Vero is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Et E Pur Dunque Vero by Claudio Monteverdi, Rosa Lamoreaux is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Une Jeune Fillette | Anonymous, Jordi Savall, Montserrat Figueras | A♭ Minor | 2 | 1A | 113 BPM | ||
| Das ist je gewißlich wahr, SWV 277 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 106 BPM | ||
| Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Folía echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 121 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| King Arthur, Z. 628, Act IV: Passacaglia - How Happy the Lover | Henry Purcell, Caroline Weynants, Olivier Berten, Sebastian Myrus, Vox Luminis, Lionel Meunier | D♭ Minor | 2 | 12A | 88 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
| Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Suite in G Minor: V. Fantaisie en rondeau | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 91 BPM | ||
| Missa Papae Marcelli: Sanctus | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 134 BPM | ||
| Récit de Mnémosyne: Quelles beautés, Ô mortels | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | A Minor | 5 | 8A | 107 BPM | ||
| Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
| Nisi Dominus: Cum dederit | Antonio Vivaldi, Ensemble Musica Antiqua, Christian Mendoze, Charles Brett | G Major | 1 | 9B | 72 BPM | ||
| Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Admeto, Rè di Tessaglia, HWV 22, Atto I Scena 1: Aria "Chiudetevi, miei lumi" | George Frideric Handel, Andreas Scholl, Akademie für Alte Musik Berlin | D Major | 0 | 10B | 137 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM |