- BPM
- 79
- Key
- F Major
- Camelot
- 7B
The Prophecy by Cheryl Frances-Hoad, Rebecca Gilliver, Sophia Rahman Song Details
"The Prophecy" by Cheryl Frances-Hoad, Rebecca Gilliver, Sophia Rahman had its release date on November 12, 2020. This song appears to be safe for all ages as it is not explicit. The song is number 10 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. The Prophecy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Prophecy by Cheryl Frances-Hoad, Rebecca Gilliver, Sophia Rahman is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.081 dB
- Acousticness
- 97%
- Danceability
- 24%
- Energy
- 12%
- Instrumentalness
- 77%
- Liveness
- 5%
- Loudness
- 62%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Abstractions: I. Marble Moon (Inspired by Sara VanDerBeek's Marble Moon, 2015) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | |
 | Lo! The Desert-Depths are Stirr'd - Live | Cheryl Frances-Hoad, Choir of St. John's College, Cambridge, Andrew Nethsingha, George Herbert, Oliver Wass | A Major | 2 | 11B | 112 BPM | |
 | Soir sur la plaine | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | B Major | 1 | 1B | 134 BPM | |
 | French Suite No.5 in G Major, BWV 816: I. Allemande | Johann Sebastian Bach, Martin Fröst, Jonas Nordberg | E Major | 1 | 12B | 130 BPM | |
 | Miserere, Op. 44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | |
 | O Come, Let Us Sing Unto the Lord | Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams | B♭ Major | 1 | 6B | 107 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | B♭ Major | 1 | 6B | 107 BPM | |
 | When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | |
 | Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 1 | 6B | 107 BPM | |
 | Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | |
 | The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | |
 | Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | |
 | Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | |
 | Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | |
 | Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | |
 | Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | |
 | Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | |
 | Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | |
 | 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | |
 | Van Ness : Cor meum est templum sacrum | Patricia Van Ness (1951), Patricia Van Ness (b.1951), Chanticleer | G Minor | 0 | 6A | 138 BPM | |
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | |
 | Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | |
 | The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | |
 | All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM | |
 | When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records