Enrico Caruso's ' "We Know It" was released on its scheduled release date, October 28, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Stefano Noferini Presents Club Edition ADE 2016". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. Based on our statistics, We Know It's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With We Know It by Enrico Caruso having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
| La vita a rosa (La vie en rose) | Carlo Buti, Gian Mario Guarino Orchestra | D Major | 2 | 10B | 115 BPM | ||
| Madame Butterfly: Coro a bocca chiusa | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 0 | 6B | 94 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
| Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
| Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | ||
| La Danza | Luciano Pavarotti | A Minor | 3 | 8A | 144 BPM | ||
| Mi batte il cor....o paradiso | Giacomo Meyerbeer, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Gounod: Faust, Act 2: Valse. "Ainsi que la brise légère" (Chœur, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Martine Mahé, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Manon: Manon, Act II: Il sogno … Chiudo gli occhi (En fermant les yeux), "Le Reve" | Jules Massenet, Enrico Caruso, Studio pianist | D Major | 1 | 10B | 107 BPM | ||
| Torna A Surriento | Giuseppe Di Stefano | E Major | 3 | 12B | 86 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Marie-Galante ou l'Exil sans retour: Youkali [part 1] (Arr. for Countertenor & String Quartet by Eric Mouret) | Kurt Weill, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Il barbiere di Siviglia: Aria. Largo al factotum (Figaro) | Florian Sempey, Orchestre National Bordeaux Aquitaine, Marc Minkowski | D Major | 1 | 10B | 72 BPM | ||
| Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann) | Jacques Offenbach, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | D Major | 1 | 10B | 129 BPM | ||
| Don Giovanni, K. 527, Act II: Finale - Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Adieu, mein kleiner Gardeoffizier (und eines Tages mit Sang und Klang) | Richard Tauber | E♭ Major | 3 | 5B | 119 BPM | ||
| O sole mio | Beniamino Gigli | D Major | 2 | 10B | 88 BPM | ||
| Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
| Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM | ||
| Ideale (version for voice and orchestra): Ideale | Francesco Paolo Tosti, Enrico Caruso | D♭ Major | 1 | 3B | 79 BPM | ||
| Les Contes d'Hoffmann / Act II: Barcarolle | Anna Netrebko, Elina Garanca, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D Major | 1 | 10B | 91 BPM | ||
| An die Musik, Op. 88, No. 4, D. 547 | Elisabeth Schwarzkopf | D Major | 0 | 10B | 78 BPM | ||
| Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM |