"May I Come In?" by Blossom Dearie had its release date on May 4, 1964. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. May I Come In?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Blossom Dearie's "May I Come In?" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. May I Come In? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of May I Come In? by Blossom Dearie to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do It The Hard Way | The Jazz Renegades, Sarah Jane Morris | A♭ Major | 3 | 4B | 136 BPM | ||
| That's No Joke | Shirley Horn | G Minor | 1 | 6A | 130 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| Don't Wait Too Long | Blossom Dearie | C Major | 1 | 8B | 139 BPM | ||
| When A Woman Loves A Man - Remastered 1995 | Peggy Lee | C Major | 2 | 8B | 121 BPM | ||
| What Is There To Say? | Dorothy Dandridge | E♭ Major | 1 | 5B | 70 BPM | ||
| I Was Doing Alright | Sarah McKenzie | D Minor | 4 | 7A | 128 BPM | ||
| Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
| Slow Motion Bossa Nova | Celso Fonseca | C Major | 2 | 8B | 116 BPM | ||
| (Fly Me To The Moon) In Other Words | Anita O'Day, The Three Sounds | G Minor | 1 | 6A | 121 BPM | ||
| Girl from Ipanema | Esther Phillips | A♭ Major | 3 | 4B | 89 BPM | ||
| I Thought About You (feat. Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb) - Mono Version | Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb | F Major | 1 | 7B | 115 BPM | ||
| Let’s Make The Most Of A Beautiful Thing | Erin Boheme | D♭ Major | 2 | 3B | 111 BPM | ||
| May I Come In? | Blossom Dearie | B Major | 1 | 1B | 78 BPM | ||
| Afternoon Whimsy | Clover Keys Music | B♭ Major | 2 | 6B | 64 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| Always | Alberta Hunter | G Major | 3 | 9B | 184 BPM | ||
| Impossible | Sue Raney | E Major | 1 | 12B | 97 BPM | ||
| September In The Rain | Sue Raney | C Minor | 3 | 5A | 100 BPM | ||
| You For Me | Blossom Dearie | G Major | 2 | 9B | 138 BPM | ||
| I Remember You | Helen O'Connell | E♭ Major | 0 | 5B | 138 BPM | ||
| I Got Lost In His Arms | Julie London | D♭ Major | 1 | 3B | 101 BPM | ||
| Goru | Bee Earn | C Major | 5 | 8B | 111 BPM | ||
| I Concentrate On You | Fred Astaire | A♭ Major | 3 | 4B | 84 BPM | ||
| The Very Thought of You (feat. Robbyn Kirmsse) | Steve Tyrell, Robbyn Kirmssé | G Major | 3 | 9B | 88 BPM |