On May 3, 2006, the song "Khamma Khamma Ho Guru" was released by Rekha Trivedi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in C. Vanveer, Chetan Jain, Dharmen Padiya's "Guru Mohankheda Wale Rajendrasuri Nirale" album is number 3 out of 17. On top of that, India appears to be the country where this track was created. In terms of popularity, Khamma Khamma Ho Guru is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Khamma Khamma Ho Guru by Rekha Trivedi to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhuni Re Dhakhavi | Hari Bharwad | A♭ Major | 5 | 4B | 100 BPM | ||
| Garbh Chalisa | Chetna | F♯ Minor | 4 | 11A | 70 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Sarangpur Na Dev Enu Kashtbhanjan Che Naam | Lalita Ghodadra, Arvind Barot | A♭ Major | 6 | 4B | 173 BPM | ||
| Kuryat Sada Mangalam | Rekha Trivedi | D Major | 1 | 10B | 71 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Jai Jai Narayan | Pawan Godiyal, Kavita Godiyal | F♯ Major | 7 | 2B | 100 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| KACHI RE MATI NU KODIYU | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Ishwar Balo Khoda Balo | Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 88 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Ki Karane Balo Thakur | Mahesh Ranjan Shome | A♭ Major | 7 | 4B | 91 BPM | ||
| Charane Rakho Sharane Rakho Shri Vallabhadhish | Pushtivrund | E♭ Major | 4 | 5B | 82 BPM | ||
| Hari Haraye Namah - Krishna Bhajan | Anasmita Ghosh | E♭ Major | 6 | 5B | 157 BPM | ||
| Naiya Jukavi Meto | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Paaya Ji Maine | Rekha Trivedi | A♭ Major | 7 | 4B | 165 BPM | ||
| Ye Ra Baa Saibaba | Sachidanand Appa | A♭ Major | 5 | 4B | 100 BPM | ||
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Aaj Main to Kidha Darshan Aapra Re Dayalu | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | E♭ Major | 5 | 5B | 95 BPM | ||
| Ahare Sonali Bondhu Shuniye Ja Mor Kotha | Selim Chowdhury | E Major | 6 | 12B | 102 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Prabhu Tam Vina | Shree Swaminarayan Temple Bhuj | F♯ Major | 5 | 2B | 146 BPM | ||
| MUKTI MADE KE NA MALE | NITIN DEVKA-NIDHO DHOLKIA | G Major | 5 | 9B | 126 BPM | ||
| Shree Krishna Sharanam Mamah | Bharatkumar Pathak, Rekha Trivedi | B Major | 6 | 1B | 171 BPM |