Rekha Trivedi's ' "Kuryat Sada Mangalam" was released on its scheduled release date, April 5, 1994. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Sajan Bethun Mandave Gujarati Lagna Geets". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Kuryat Sada Mangalam is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Kuryat Sada Mangalam by Rekha Trivedi having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madhuban Ki Lataon Mein | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Montro Tantro | Swami Divyavratananda, Ramakrishna Mission | F♯ Major | 5 | 2B | 136 BPM | ||
| Yaa Devi Sarva Bhuteshu | Bharatkumar Pathak, Rekha Trivedi | B Major | 6 | 1B | 171 BPM | ||
| JOVA UNDIYU LOK TAMAM JANAIYA DEKHAYA | Arvind Barot, Rekha Trivedi | D Major | 5 | 10B | 152 BPM | ||
| KACHI RE MATI NU KODIYU | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Ek Nazar Kripa Ki Kar Do Ladli Shri Radhe | Rajmani Arya | C Minor | 10 | 5A | 75 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Teras Ri Hai Raat | Kamal Sethia | D Major | 6 | 10B | 78 BPM | ||
| Thev Vishwas Sai var | Sai bhakti, Omkar Mahadik | A♭ Major | 8 | 4B | 101 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Aasra Is Jahan Ka | Pujya Bhaishree Rameshbhai Ojha | A Major | 2 | 11B | 120 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Man Ho Ja Diwana Re Shri Shyam Ji Charno Main | Sanju Sharma | C Major | 7 | 8B | 89 BPM | ||
| Maat Ang Chola Saje - Mata Ka Jagrata | Vipin Sachdeva, Rajlaxmi | E♭ Major | 7 | 5B | 126 BPM | ||
| Neminath Swami Mhari | Bhawar Chaudhari, Rekha Trivedi, Shila Sethiya | A♭ Minor | 6 | 1A | 158 BPM | ||
| Prabhu Mangu Tari Pas | Kishore Manraja | F Major | 7 | 7B | 100 BPM | ||
| Paaya Ji Maine | Rekha Trivedi | A♭ Major | 7 | 4B | 165 BPM | ||
| Naveen Ji Mut | Swami Shree Chhapaiyaprakashdasji | B♭ Major | 5 | 6B | 84 BPM | ||
| Ham khushnaseeb kitne | Brahma Kumaris | F Major | 3 | 7B | 102 BPM | ||
| Me To Neet Uth Dhyau | Rekha Trivedi | F Major | 3 | 7B | 150 BPM | ||
| Sonal Garbo Shire | Damyanti Bardai | G Major | 6 | 9B | 135 BPM | ||
| Pratham Shree Hari Ne - Fast | Harikrishna Patel | F Major | 7 | 7B | 130 BPM | ||
| Brundavana Pradakshine | Vidyabhushana, H. L. Sheshachandra | E Major | 1 | 12B | 139 BPM | ||
| Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM |