On September 23, 2025, the song "Piriki Hodibeda" was released by Basamma Hiremath. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Samsara Sakavva". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Piriki Hodibeda's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Piriki Hodibeda by Basamma Hiremath having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mettileruva | B. R. Chaya | D Major | 5 | 10B | 145 BPM | ||
| Addada Malebandhu | Anuradha Sriram | C Major | 6 | 8B | 152 BPM | ||
| Siddharoodhara Namava Neneedare | Gururaj Kendhuli | A♭ Major | 6 | 4B | 98 BPM | ||
| Guggulava Nodiramma - Studio | Surekha, Shamitha | B♭ Major | 4 | 6B | 98 BPM | ||
| Kondada | Vidyabhushana, T. V. Gopalkrishnan, Sri Vadirajaswamy | C Minor | 3 | 5A | 125 BPM | ||
| Oora Sattaru Hanumappa | Shabbir Daange, Shamitha Malnad | D Major | 4 | 10B | 116 BPM | ||
| Hari Sarbhatoma | Bellur Sisters | A♭ Minor | 5 | 1A | 134 BPM | ||
| Kanya Kodabekri | Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur | E Major | 6 | 12B | 91 BPM | ||
| Narahariye Ninna (Siri Ramana) | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 144 BPM | ||
| Hogi Nodona Bara | Chandrashekar Kamgond, Basamma Hiremath | A♭ Major | 6 | 4B | 98 BPM | ||
| Ninnapadakamalgala | Vidyabhushana | F Major | 8 | 7B | 193 BPM | ||
| Allantha Yavuda Helu | Chennaveera Gavayi | D Major | 5 | 10B | 112 BPM | ||
| Koliye Neenu Koliye | C. Ashwath | C Major | 5 | 8B | 82 BPM | ||
| Dharanipa Laalisu | Raghavendra Acharya Jansale | F Minor | 5 | 4A | 167 BPM | ||
| Mahamadan | Pudhuvai Narasimhan | D Major | 9 | 10B | 99 BPM | ||
| Kaada Kudari Odi Bandiththa | Shimoga Subbanna | F Major | 7 | 7B | 140 BPM | ||
| Gururaya | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| He Vignaraja | S. Janaki | A Minor | 6 | 8A | 147 BPM | ||
| Smarisi Baalu | Ramesh Chandra | C Major | 6 | 8B | 115 BPM | ||
| Piriki Hodibeda | Basamma Hiremath | A♭ Major | 6 | 4B | 98 BPM | ||
| Thangi Nadi Thangi | Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur | A Major | 5 | 11B | 84 BPM | ||
| Jeeva Kolabyaada | Basavaraj Narendra, Divya | E Major | 5 | 12B | 117 BPM | ||
| Neene Parama Pavani | Roopa Shree H S | A♭ Major | 3 | 4B | 163 BPM | ||
| Jagadodaranaa | Narasimha Naik | A Major | 7 | 11B | 92 BPM | ||
| Anthada Chanthada | Madhu Balakrishnan | C Minor | 8 | 5A | 96 BPM |