"Francesca da Rimini, Op. 4, Act III, Scene 1: Dama, abbiate ne pietà (Francesca, Garsenda, Biancofiore, Adonella, Smaragdi)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Lorena Espina had its release date on 1994. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #26 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III, Scene 1: Dama, abbiate ne pietà (Francesca, Garsenda, Biancofiore, Adonella, Smaragdi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 1: Dama, abbiate ne pietà (Francesca, Garsenda, Biancofiore, Adonella, Smaragdi) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Lorena Espina has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III, Scene 1: Dama, abbiate ne pietà (Francesca, Garsenda, Biancofiore, Adonella, Smaragdi) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Act I: Per la terra di maggio (Chorus) | Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri | D Major | 1 | 10B | 134 BPM | ||
| L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Emigrantes: "Adiós, Granada" (Tordiyo) | Rafael Calleja, Tomás Barrera, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 68 BPM | ||
| Verdi: La forza del destino: Fratello... - Riconoscimi - Alvaro - Act Four | Giuseppe Verdi, Plácido Domingo | E♭ Major | 1 | 5B | 82 BPM | ||
| La traviata / Act 2: "Imponete" "Non amarlo ditegli" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 77 BPM | ||
| Francesca da Rimini, Op. 4, Act I: O Francesca, anima mia | Riccardo Zandonai, Viktória Mester, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | F Major | 3 | 7B | 82 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt | E Major | 1 | 12B | 174 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A♭ Major | 1 | 4B | 77 BPM | ||
| Francesca da Rimini, Op. 4, Act III: L'hai tu veduto montare a cavallo | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Puccini: Tosca, Act 1 Scene 8: "Un tal baccano in chiesa!" (Scarpia, Sagrestano, Spoletta) | Giacomo Puccini, Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Verdi: La forza del destino, Act 1: "Me pellegrina ed orfana" (Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 1 | 9B | 78 BPM | ||
| Francesca da Rimini: Giulietta, son io! | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 81 BPM | ||
| Tosca, Act I: Mia gelosa! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | A♭ Major | 1 | 4B | 77 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Francesca da Rimini, Act IV: Era teco la tua moglie? (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Giampiero Malaspina, Piero de Palma, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Puccini: Turandot, Act 1: "Silenzio, olà!" (Le ancelle di Turandot, Coro, Calaf, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michele Pertusi, Rakhsha Ramezani Melami, Valentina Iannotta, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Minor | 0 | 10A | 88 BPM | ||
| Verdi: La forza del destino, Act 1: "Temea restasse" (Curra, Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Francesca Garbi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 0 | 9B | 99 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |