"Suite Lyrique: 3. Aria" by John Rutter, Catrin Finch, Sinfonia Cymru had its release date on January 1, 2012. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 17 in Blessing by John Rutter, Catrin Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Suite Lyrique: 3. Aria's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite Lyrique: 3. Aria by John Rutter, Catrin Finch, Sinfonia Cymru is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | ||
| Gloria: II. The Prayer: Laudamus te | Karl Jenkins | C Minor | 0 | 5A | 78 BPM | ||
| Chanson de Matin, Op. 15 No. 2 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 134 BPM | ||
| Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
| Elizabethan Masque | Fredrico Bayco, Pro Arte Orchestra, George Weldon | A Minor | 1 | 8A | 64 BPM | ||
| Open Thou Mine Eyes | John Rutter, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Fantasia on Greensleeves (Arr. Ralph Greaves) | Ralph Vaughan Williams, Ralph Greaves, Tasmanian Symphony Orchestra, David Stanhope | D Major | 0 | 10B | 96 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
| Gobaith | Catrin Finch, Seckou Keita | C Major | 3 | 8B | 95 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Concerto for Harp and Orchestra in G Minor, Op.81: II. Romanza. Andate | Elias Parish Alvars, Jean-Pierre Rampal, Franz Liszt Chamber Orchestra | E♭ Major | 0 | 5B | 123 BPM | ||
| A Moment of Reflection | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, David Zinman, Tonhalle-Orchester Zürich | C Major | 4 | 8B | 94 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | ||
| Harp Concerto in C Major: III. Rondo. Allegro agitato | François-Adrien Boieldieu, Jutta Zoff, Staatskapelle Dresden, Siegfried Kurz | C Minor | 1 | 5A | 143 BPM | ||
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Yo-Yo Ma, Lorin Maazel, Pyotr Ilyich Tchaikovsky, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
| Partita: Vivace | John Rutter, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 141 BPM | ||
| Believe In Springtime - Arr. for Concert/Wind Band by Paul Noble | Paul Noble, John Rutter | B♭ Major | 1 | 6B | 64 BPM |