"Elizabethan Masque" by Fredrico Bayco, Pro Arte Orchestra, George Weldon had its release date on July 1, 2011. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Elizabethan Masque's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 77 in British Composers: Best of British by Various Artists. Elizabethan Masque is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elizabethan Masque by Fredrico Bayco, Pro Arte Orchestra, George Weldon is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Punchinello - Miniature Overture | Frederic Curzon, Pro Arte Orchestra, George Weldon | C Major | 3 | 8B | 144 BPM | ||
| Lullaby for Penelope | Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey | D Major | 1 | 10B | 168 BPM | ||
| Three Jamaican Dances: No. 2 | Oswald Russell, William Chapman Nyaho | E Major | 0 | 12B | 117 BPM | ||
| Concerto a due cori No.3 in F major, HWV 334 | George Frideric Handel, Charles Mackerras, Pro Arte Orchestra | F♯ Major | 1 | 2B | 117 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Godard: Jocelyn, Op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (Instrumental Version) | Benjamin Godard, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | F Major | 0 | 7B | 96 BPM | ||
| Serenade for Strings: II. Romance | William Lloyd Webber, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 83 BPM | ||
| Symphony No. 4 in F major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): I. Adagio non molto | Budapest Failoni Chamber Orchestra, Carl Ditters von Dittersdorf | F Major | 1 | 7B | 81 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Wallfisch: Final Kiss | Yuja Wang, Benjamin Wallfisch | C Major | 1 | 8B | 140 BPM | ||
| Ocean of Dreams | Moscow Symphony Orchestra, Ian Mulder | B♭ Major | 3 | 6B | 136 BPM | ||
| Music for the Royal Fireworks, HWV 351 | George Frideric Handel, Charles Mackerras, Pro Arte Orchestra | F♯ Major | 1 | 2B | 117 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 1: No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush) | Arthur Sullivan, Ian Wallace/Sir Geraint Evans/Marjorie Thomas/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | B Major | 3 | 1B | 120 BPM | ||
| 6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko | Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester | A Major | 0 | 11B | 131 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
| Overture from The Yeomen of the Guard (or, The Merryman and his Maid) - 2000 Remastered Version | Arthur Sullivan, Pro Arte Orchestra, Sir Malcolm Sargent | E♭ Major | 1 | 5B | 80 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Major | 1 | 12B | 79 BPM | ||
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM |