- BPM
- 168
- Key
- D Major
- Camelot
- 10B
Lullaby for Penelope by Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey Song Details
"Lullaby for Penelope" by Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey had its release date on 2025. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 135 in the song's album "Sweet Lullabies - Classical Music to Gently Fall to Sleep". In this album, this song's track order is #88. Furthermore, we believe that the track originated from United Kingdom. The popularity of Lullaby for Penelope is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Lullaby for Penelope by Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -27.171 dB
- Acousticness
- 95%
- Danceability
- 11%
- Energy
- 5%
- Instrumentalness
- 45%
- Liveness
- 29%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | |
 | Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | |
 | Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | |
 | Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | |
 | MAN OF THE WORLD | Yasuharu Takanashi, Niklas Liepe, NDR Radiophilharmonie, Michael England | G Major | 0 | 9B | 59 BPM | |
 | I Sing to You (Souvenir): I Sing to You (Souvenir) | Eric Coates, BBC Philharmonic, John Wilson | F Major | 1 | 7B | 87 BPM | |
 | Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | |
 | Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | |
 | Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 59 BPM | |
 | Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | |
 | Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | |
 | The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | G Major | 0 | 9B | 59 BPM | |
 | Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto | Max Reger, András Schiff, Peter Serkin | F Major | 0 | 7B | 142 BPM | |
 | 3 Gymnopedies: III. Lent et Grave | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A Minor | 0 | 8A | 73 BPM | |
 | A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | |
 | Images, Suite No. 2, Op. 31: I. Les enfants à la crèche de Noël | Marcel Tournier, Emmanuel Ceysson | F Minor | 0 | 4A | 99 BPM | |
 | Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM | |
 | Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | |
 | The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | |
 | Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | |
 | Madama Butterfly / Act 2: Humming Chorus | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 71 BPM | |
 | Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | |
 | A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | |
 | 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM |
- ISRC
- GBAYD9700316
- Label
- L-M Records/RCA Records