On April 12, 2024, the song "Sonate e Partite: No. 23, Danza (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Sonate e Partite: No. 23, Danza (Recomposed by Luca Astolfoni Fossi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 23, Danza (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 23, Danza (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in G major Seibel 215: 4. Allegro - 2/4 | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 162 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 92 BPM | ||
| 12 Concerti et sinphonie, Op. 1, Violin Concerto No. 4 in E Minor: I. Allegro | Giuseppe Antonio Brescianello, David Plantier, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto a cinque No. 5, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 3 | 1B | 109 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 4. Vivace | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 1 | 2B | 110 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Heinz Holliger, Camerata Bern, Erich Höbarth | D Minor | 2 | 7A | 71 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Flute Concerto No. 3 in C Major: II. Grave | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Minor | 1 | 5A | 65 BPM | ||
| Polifemo: Overture | Nicola Porpora, Stefan Plewniak, Orchestre de l'Opéra Royal | D♭ Major | 4 | 3B | 123 BPM | ||
| Suite Premiere - Ii. Menuet I-Ii-I (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Major | 1 | 5B | 134 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Il prigioniero fortunato: Sinfonia: I. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 5 | 3B | 111 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Mandolin Concerto in G Major: II. Largo | Francesco Lecce, Raffaele La Ragione, Il Pomo D'oro, Francesco Corti | F♯ Major | 2 | 2B | 124 BPM | ||
| Concerto for Violoncello and Orchestra in D major: IV. Allegro di molto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | D Major | 2 | 10B | 105 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Sonate e Partite: No. 31, Allegretto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Symphony No. 69 in A Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 1 | 2B | 170 BPM | ||
| Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM |