"Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: I. Lassú. Moderato" by Béla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra had its release date on August 4, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 37 in Bartók: The Miraculous Mandarin, Concerto for Orchestra, Piano Concertos, Violin Concerto No. 2, Concerto for two Pianos, Percussion and Orchestra by Béla Bartók, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: I. Lassú. Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bartók: Rhapsody for Violin and Orchestra No. 2, Sz. 90: I. Lassú. Moderato by Béla Bartók, Kyung Wha Chung, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Octet in C Major, Op. 7 (Version for String Orchestra): I. Très modéré | George Enescu, Tabea Zimmermann, Ensemble Resonanz | E♭ Major | 0 | 5B | 78 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | A♭ Major | 0 | 4B | 74 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
| Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| 7 Piano Pieces, Op. 11: 2. Szekely lament: Rubato parlando | Zoltán Kodály, Andrew Rangell | E♭ Major | 1 | 5B | 59 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto | Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley | E Minor | 1 | 9A | 180 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (e) Variation IV | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
| Bach, JS: Sonata for Violin & Keyboard No. 6 in G Major, BWV 1019: II. Largo | Johann Sebastian Bach, Renaud Capuçon, David Fray | E Minor | 0 | 9A | 70 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Verklärte Nacht, Op. 4 - Version For String Sextet: IV. Sehr breit und langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | D Major | 1 | 10B | 86 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: II. Scherzo (Allegro - Molto meno Allegro) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | A Major | 0 | 11B | 88 BPM | ||
| La poule, RCT 6/12 | Jean-Philippe Rameau, Bruce Liu | G Minor | 1 | 6A | 137 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | ||
| Bartók: String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso | Béla Bartók, Belcea Quartet | G Major | 2 | 9B | 98 BPM | ||
| Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM |