Gerry Groom, Mick Taylor's ' "Long Distance Call" was released on its scheduled release date, November 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Once in a Blue Moon". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Austria. Based on our statistics, Long Distance Call's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Long Distance Call by Gerry Groom, Mick Taylor having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LEAVE IT ALL BEHIND - FM2 | Stephen Youmoore | D Major | 3 | 10B | 176 BPM | ||
| The Heavenly Hound (feat. Charlie Sexton) | Matt Munhall, Charlie Sexton | F Minor | 9 | 4A | 121 BPM | ||
| Hurt | Doghouse Sam & His Magnatones | G Major | 7 | 9B | 97 BPM | ||
| Too Young To Die | Curtis Salgado, Alan Hager | D Major | 4 | 10B | 116 BPM | ||
| Goin' Back Out On The Road | Bob Margolin | D Major | 8 | 10B | 108 BPM | ||
| Put Away That Gun | Sons of the Delta | E Major | 3 | 12B | 185 BPM | ||
| Ntohin' Left To Stimulate | The Kilborn Alley Blues Band | E Major | 6 | 12B | 100 BPM | ||
| You'd Better Be Sure | Joe Beard, Duke Robillard | D Major | 1 | 10B | 178 BPM | ||
| Shy Voice | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 134 BPM | ||
| Lay Your Love on Me | Harry Athanass | D Major | 7 | 10B | 104 BPM | ||
| Look What You Done | Luther "Guitar Junior" Johnson | C Major | 6 | 8B | 120 BPM | ||
| Long Distance Call | Gerry Groom, Mick Taylor | E Major | 3 | 12B | 124 BPM | ||
| Grab The Rafters | Jimmy Thackery And The Drivers | C Major | 8 | 8B | 106 BPM | ||
| Orange | Marco Tansini | D Major | 7 | 10B | 156 BPM | ||
| You Got Me Wrong | Billy Boy Arnold | C Major | 5 | 8B | 99 BPM | ||
| Hard Times Are Coming Soon | Jacquelyn Baxter | B♭ Major | 3 | 6B | 76 BPM | ||
| Get Back to It | Jesse Mills Band | A♭ Minor | 8 | 1A | 108 BPM | ||
| Every Night | Cadence Union | D Minor | 3 | 7A | 112 BPM | ||
| These Blues | Velour Calder | C Major | 3 | 8B | 168 BPM | ||
| No More Chances | Sugar Ray & The Bluetones | D Major | 2 | 10B | 65 BPM | ||
| Razor in My Pocket | Shelby Street Blues | C Major | 3 | 8B | 168 BPM | ||
| Engines Over Mire | promptgenix | A♭ Major | 4 | 4B | 90 BPM | ||
| Got Me By The Short Hairs | Toronzo Cannon | A♭ Major | 9 | 4B | 146 BPM | ||
| So Near To Nowhere | Curtis Salgado, Alan Hager | D♭ Minor | 5 | 12A | 135 BPM | ||
| Give Me What I Want | The Kinsey Report | A♭ Minor | 7 | 1A | 131 BPM |