"Paris At 21" by Peter Allen had its release date on January 1, 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Allen's "I Could Have Been A Sailor" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Paris At 21 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Paris At 21 by Peter Allen to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Talk | Larry Lee | G Major | 7 | 9B | 125 BPM | ||
| Till You Come Back to Me | Leo Sayer | D Major | 6 | 10B | 107 BPM | ||
| Show Me the Way | Brian Cadd | B Major | 4 | 1B | 80 BPM | ||
| '71 | Frank Weber | F♯ Major | 5 | 2B | 131 BPM | ||
| Save It For A Rainy Day | Stephen Bishop | A♭ Major | 5 | 4B | 129 BPM | ||
| This Time Around | Peter Allen | E♭ Major | 4 | 5B | 144 BPM | ||
| Smoke from a Distant Fire | Sanford Townsend Band | A Major | 6 | 11B | 137 BPM | ||
| Sure Enough | Tom Scott | E Minor | 3 | 9A | 135 BPM | ||
| Look After Yourself | STARS | G Major | 4 | 9B | 119 BPM | ||
| One Step Over The Borderline | Peter Allen | G Minor | 7 | 6A | 128 BPM | ||
| Leave a Tender Moment Alone | Billy Joel | B♭ Major | 5 | 6B | 110 BPM | ||
| Moonlighting | Leo Sayer | G Major | 7 | 9B | 128 BPM | ||
| Take This Heart of Mine | Joey Scarbury | B♭ Major | 5 | 6B | 121 BPM | ||
| No Love In The Morning | Captain & Tennille | B♭ Minor | 4 | 3A | 105 BPM | ||
| '65 Love Affair | Paul Davis | A Minor | 8 | 8A | 155 BPM | ||
| Evie (Evie) | Stevie Wright | E Major | 1 | 12B | 81 BPM | ||
| Love Me Like the Last Time | Joey Scarbury | C Minor | 5 | 5A | 105 BPM | ||
| Afternoon Delight | Starland Vocal Band | F Major | 6 | 7B | 146 BPM | ||
| Made My Day | Tim Finn | G Major | 6 | 9B | 144 BPM | ||
| Lonely Night (Angel Face) | Captain & Tennille | C Major | 7 | 8B | 122 BPM | ||
| Some of My Old Friends | Joey Scarbury | B♭ Major | 4 | 6B | 118 BPM | ||
| Let Go | Brian Cadd | F Major | 4 | 7B | 121 BPM | ||
| If I Could | 1927 | E Major | 6 | 12B | 97 BPM | ||
| State Of The Heart - Digitally Remastered | Mondo Rock | C Major | 9 | 8B | 154 BPM | ||
| Paris At 21 | Peter Allen | F Major | 5 | 7B | 118 BPM |