Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Song Details

"Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden had its release date on 2013. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -11.419 dB
Acousticness: 92%
Danceability: 21%
Energy: 38%
Instrumentalness: 94%
Liveness: 16%
Loudness: 81%
Speechiness: 3%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	A Minor	1	8A	82 BPM
Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher	Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein	E♭ Major	0	5B	83 BPM
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	74 BPM
Nocturnes, CD 98: II. Fêtes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	A Major	2	11B	79 BPM
Sospiri, Op. 70	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	1	7B	177 BPM
Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski)	Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier	E Major	0	12B	76 BPM
Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance	Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa	B♭ Major	1	6B	97 BPM
Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	45 BPM
Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra)	Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd	D Major	1	10B	80 BPM
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Licht überm See (Live)	Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle	B Major	2	1B	132 BPM
Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E Minor	2	9A	101 BPM
Salome, Op. 54: Dance of the Seven Veils	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	F Major	1	7B	67 BPM
Symphony No. 7 in C Major, Op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	D Minor	0	7A	126 BPM
Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	C Major	0	8B	83 BPM
Wagner: Tristan und Isolde: Prelude to Act 1	Richard Wagner, Daniel Barenboim, Berliner Philharmoniker	C Major	2	8B	177 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt)	Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti	A Minor	3	8A	108 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Après un Rêve Op.7, No.1	Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa	F Minor	1	4A	96 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	F♯ Major	0	2B	144 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (b) Wieder sehr breit	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	F Minor	2	4A	69 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Erlkönig, D. 328 (Adapt. for Cello and Orchestra)	Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	A Minor	1	8A	124 BPM
Eine Alpensinfonie, Op. 64, TrV 233: XX. Sonnenuntergang	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	E♭ Major	1	5B	105 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM