On December 31, 1956, the song "Prabhu Needhu Mahima" was released by Kalyanam Raghuramaiah. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Prabhu Needhu Mahima's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Naagula Chavithi". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Prabhu Needhu Mahima is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Prabhu Needhu Mahima by Kalyanam Raghuramaiah having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jo Achchuthanandha | Unnikrishnan | F♯ Major | 4 | 2B | 167 BPM | ||
| Sri Ganadham | Purna Chander, S.Srinivas | A Major | 7 | 11B | 99 BPM | ||
| Tholi Poddu Pudavangane | Jadala Ramesh | G Minor | 5 | 6A | 115 BPM | ||
| Naa Madi Ninnu (Oh Priyathama) | Mohammed Rafi, S. Janaki | F♯ Major | 7 | 2B | 94 BPM | ||
| Nee Mundu Nilichemu | Mano | F Major | 5 | 7B | 141 BPM | ||
| Mandalamasamitha | Pranavam Sasi | B Minor | 7 | 10A | 126 BPM | ||
| Veeradhi Veerudu | Sreenivasa Raju | A Minor | 8 | 8A | 109 BPM | ||
| Anubhandham Athmee Yatha | V. Ramakrishna | B Minor | 5 | 10A | 104 BPM | ||
| Atharu Sayabu Rara | Shankar Babu, Ramadevi | E♭ Minor | 8 | 2A | 115 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Vinnapaluvinavale | S. Janaki | F Major | 5 | 7B | 83 BPM | ||
| Lele Baba Niddura | V. V. Naidu | A♭ Major | 4 | 4B | 98 BPM | ||
| PALLE PALLELLONA VELASINA | JADALA RAMESH | F Minor | 7 | 4A | 165 BPM | ||
| Andame Aanandam, Pt. 2 | N. Suryaprakash | B♭ Minor | 5 | 3A | 140 BPM | ||
| Pasupoocherakatti | Bombay Saradha | A Minor | 5 | 8A | 130 BPM | ||
| Gana Ganamunaku | Sri Ganapathy Sachchidananda Swamiji | C Major | 4 | 8B | 134 BPM | ||
| Yantrametla Nadusthundathe | Vandemataram Srinivas, Vangapandu Prasad Rao | G Minor | 7 | 6A | 148 BPM | ||
| Ee Madhu Maasam | N. Suryaprakash, Vijayalakshmi Sarma | A Major | 8 | 11B | 135 BPM | ||
| Yekadasha Suthralu | S.P. Balu | F♯ Minor | 3 | 11A | 134 BPM | ||
| Railu Katta Cooleke | Earanaguru Anjaneyulu, Vandana Palamuru | F♯ Minor | 9 | 11A | 65 BPM | ||
| Naa Peru Bikari | S. P. Balasubrahmanyam | D Major | 5 | 10B | 145 BPM | ||
| Sive Siva Sankara | V. Ramakrishna | E Minor | 6 | 9A | 94 BPM | ||
| Hari Hara Putrudavu | Gangaputra Narsingh | A♭ Major | 7 | 4B | 114 BPM | ||
| Panduranga Namam | V. Ramakrishna | D♭ Major | 9 | 3B | 91 BPM | ||
| Tirumalapura Srinivasa | Gopikapoornima, Ramu, Muralidhar & Chorus | E Minor | 5 | 9A | 101 BPM |