"Canción de los Estudiantes" by London Symphony Orchestra, Iván Macías, Adrián Salzedo, Ensemble El Médico had its release date on September 1, 2018. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 20 in El Médico, el Musical (Banda Sonora Original) by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Canción de los Estudiantes is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canción de los Estudiantes by London Symphony Orchestra, Iván Macías, Adrián Salzedo, Ensemble El Médico is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
| Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
| The Ring Goes South | Howard Shore | A Minor | 1 | 8A | 80 BPM | ||
| Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
| Suite from Forrest Gump | Alan Silvestri | F Major | 1 | 7B | 85 BPM | ||
| On the Town: Lonely Town. Pas de deux | Leonard Bernstein, London Symphony Orchestra, Yannick Nézet-Séguin | F Major | 2 | 7B | 77 BPM | ||
| I'm Forrest... Forrest Gump | Alan Silvestri | F Major | 0 | 7B | 104 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | A Minor | 1 | 8A | 93 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
| Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 65 BPM | ||
| The Hebrides Overture, Op. 26, MWV P7 "Fingal's Cave" | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
| Il Trovatore: "Anvil Chorus" (Live) | London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth | C Major | 3 | 8B | 135 BPM | ||
| Carmen: Habanera | Georges Bizet, Orquesta Sinfónica de Radio Praga, Pietro di La Coronna | D Major | 1 | 10B | 123 BPM | ||
| A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM | ||
| Russian Sailors Dance - Gliere | London Symphony Orchestra | D Minor | 4 | 7A | 79 BPM | ||
| Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 66 BPM | ||
| Nessun Dorma | Giacomo Puccini, HAUSER, London Symphony Orchestra, Robert Ziegler | D Major | 5 | 10B | 96 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
| Carnival of the Animals: XII. Fossils | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E♭ Major | 3 | 5B | 114 BPM | ||
| Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| The Four Seasons: Concerto No. 4 in F Minor, RV 297 "L'inverno" (winter): I. Allegro non molto | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Minor | 2 | 4A | 162 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM |