On January 14, 2014, the song "Shree Ram Ka Mandir Banana Hai" was released by Devendra Pathak. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Ayodhya Mere Ram Ki by Devendra Pathak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Shree Ram Ka Mandir Banana Hai is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Shree Ram Ka Mandir Banana Hai by Devendra Pathak is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| Padharo Shyam Baba | Reshmi Sharma | E♭ Major | 7 | 5B | 150 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM | ||
| Ram Dhun | Devendra Pathak | C Minor | 7 | 5A | 144 BPM | ||
| Mujhe Charno Se Laga Le Shyam Murli Wale | Mridul Krishan Shastri | B♭ Minor | 8 | 3A | 82 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Jay Sambhu Digambar - Bhojpuri Song | Abhisekh Pathak | C Major | 4 | 8B | 138 BPM | ||
| Nibiya Ke Daadh Maiya | MANOJ TIWARI | F♯ Major | 5 | 2B | 115 BPM | ||
| Jab Se Naina Ladal | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 90 BPM | ||
| Main Tere Lie Kya Likhu | Sheetal Pandey | Sheetal Pandey | E♭ Major | 6 | 5B | 142 BPM | ||
| Mere Bhole Se Bhole Baba | Shahnaaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Vrindavan Dham Apar | Mridul Krishan Shastri | F Major | 7 | 7B | 146 BPM | ||
| Bajrang Bali Bajrang | Dukalu Yadav | B Minor | 9 | 10A | 75 BPM | ||
| Mathiya Mai Jake Boye Jaware | Shahnaz Akhtar | B Minor | 9 | 10A | 128 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Teri Meharbani Ka Hai Bojh | Devendra Pathak | E♭ Minor | 6 | 2A | 100 BPM | ||
| Deewana Tera Aaya | Tarun Sagar | B Minor | 9 | 10A | 174 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Baans Ki Basuriya | Vishnupriya Avi Ji | D Major | 8 | 10B | 83 BPM | ||
| Hare Ka Sahara Aa Gaya | Ram Kumar Lakkha | F♯ Minor | 7 | 11A | 126 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Sanwali Surat Pe Raghuwar | Devendra Pathak, Gaurangi Gauri Ji | F Minor | 8 | 4A | 140 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM |