John Adams's 'Century Rolls: I. First Movement - excerpt' had a release date set for June 11, 2010. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Adams's "I Am Love Soundtrack by John Adams" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Century Rolls: I. First Movement - excerpt's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Century Rolls: I. First Movement - excerpt by John Adams to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Girl In The Limo | David Shire | A♭ Minor | 3 | 1A | 62 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Piano Concerto, Op. 67 "Memo Flora": II. Petals. Andante | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko Tabe | G Minor | 0 | 6A | 130 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | A♭ Major | 2 | 4B | 176 BPM | ||
| Walk To The Capitol | Mica Levi | A♭ Major | 2 | 4B | 140 BPM | ||
| A Variation On Scotty Tails Madeline | Shigeru Umebayashi | G Minor | 1 | 6A | 81 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | A♭ Major | 2 | 4B | 176 BPM | ||
| Music for 18 Musicians: Section IIIB | Steve Reich | E Major | 3 | 12B | 111 BPM | ||
| Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
| Pas de Deux: Part 1 | James Horner, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 0 | 10A | 133 BPM | ||
| Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
| Menuet Sur Le Nom De Haydn | Maurice Ravel, André Laplante | G Major | 0 | 9B | 69 BPM | ||
| Calm - Original Mix | Elara Lilara | A♭ Major | 2 | 4B | 176 BPM | ||
| Diary of Love (From "The End of the Affair") [Arr. for Solo Piano] | Michael Nyman, Ksenia Bashmet | A Major | 0 | 11B | 65 BPM | ||
| Flight, Concerto for Violin & Strings: I | Oliver Davis, Kerenza Peacock, Paul Bateman, London Symphony Orchestra | F♯ Minor | 3 | 11A | 102 BPM | ||
| Pièces froides: II. Danses de travers | Erik Satie, Klara Kormendi | C Major | 0 | 8B | 139 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Adams: Grand Pianola Music: Pt. IA | John Adams, London Sinfonietta | F Major | 1 | 7B | 132 BPM | ||
| Spring 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM | ||
| Gentle Threat | Chilly Gonzales | E♭ Major | 0 | 5B | 62 BPM | ||
| Adams: Harmonielehre: III. Meister Eckhardt and Quackie | John Adams, San Francisco Symphony, Michael Tilson Thomas | C Major | 3 | 8B | 161 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM |