On March 29, 2012, the song "Bahkela Manwa" was released by Pawan Singh. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Pawan Singh's "Karejwa Karela Dhaka Dhak" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Bahkela Manwa is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bahkela Manwa by Pawan Singh to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeshu Mahima Dhun | Rajesh Chandra | F♯ Major | 7 | 2B | 108 BPM | ||
| Jhulna Ma Baithe Maiya | Dukalu Yadav | D♭ Major | 9 | 3B | 76 BPM | ||
| Bangaru Kovelo | Anil Kumar | A Minor | 8 | 8A | 139 BPM | ||
| Mor Nav Ke Godna | Gore Lal Brman | F Minor | 6 | 4A | 80 BPM | ||
| Dulha Banal Shri Ram Hey | Poonam Mishra | F Minor | 8 | 4A | 83 BPM | ||
| Jawan Baat Ba Sawarko Me U Gor Ka Kari | Amit Upadhyay | F Minor | 7 | 4A | 151 BPM | ||
| Bada Neek Laagela | Om Prakash Singh Yadav | B♭ Minor | 9 | 3A | 108 BPM | ||
| Raja Janak Ji Ke Baag Mein | Santosh Kumar | F♯ Major | 5 | 2B | 141 BPM | ||
| Kaise Kareen Tohar Ham Bidaai | Pawan Singh | B♭ Major | 4 | 6B | 140 BPM | ||
| Jab Jab Penhelu Sadi | Manish Samrat | A Minor | 8 | 8A | 132 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Pyar Kare Se Pahile Soch Le Natija Raja Ji | Karina Pandey, Golu Raja | B♭ Minor | 7 | 3A | 89 BPM | ||
| Mai Ke Muratiya | Ravindra Singh Jyoti | G Minor | 9 | 6A | 149 BPM | ||
| Divalda Olvana Saguna | Ramesh Parmar | E Major | 6 | 12B | 148 BPM | ||
| Jyoti Baba Prasang 10 | Rudal Panjiyar | F♯ Major | 8 | 2B | 73 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Nimiya Patiya Jhari Jaay Ho | MANOJ TIWARI | B Minor | 10 | 10A | 108 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Lagan | Aashish Yadav, Shweta Sargam | A Major | 3 | 11B | 62 BPM | ||
| Jode Chunri - Jode Kalsha | Pawan Singh | A Major | 5 | 11B | 79 BPM | ||
| Tere Darbar Aavange | Harvansh Lal Bansi | B♭ Major | 7 | 6B | 91 BPM | ||
| Anjani Ke Lal Ho Kamaal Kayil Lanka Mein | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Humra Ke Le Le Ayiha Angoothi Nishani | MANOJ TIWARI | F♯ Major | 5 | 2B | 111 BPM | ||
| Jahu Hum Jeniti | Vishnu Ojha | B♭ Major | 6 | 6B | 88 BPM |