On March 26, 2002, the song "Anjani Ke Lal Ho Kamaal Kayil Lanka Mein" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Ek Hi Bharos Mora Seeta Ram Ke by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Anjani Ke Lal Ho Kamaal Kayil Lanka Mein's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Anjani Ke Lal Ho Kamaal Kayil Lanka Mein by Madan Rai is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Vo Mujhko Bhula Gai | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Kuhooke Koyaliya Bhawani | Kalpana Patowary | A Major | 9 | 11B | 138 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Sajna Syan Hum Nadan | Madan Rai | A♭ Major | 9 | 4B | 147 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Thoorpu Konda Veligi | Gangaputra Narasinga Rao | A Minor | 8 | 8A | 77 BPM | ||
| Gawna Ke Beriya Oda Dihal Chadariya | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| Mahadev Ke Nachari | Kunj Bihari Mishr | F♯ Major | 9 | 2B | 136 BPM | ||
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Jahiya Gavna Ke Aai Doli | Bharat Sharma Vyas | F Minor | 8 | 4A | 166 BPM | ||
| Yedu Namacha Elaaz | Chandan Kamble | A Major | 8 | 11B | 99 BPM | ||
| Sevak Ko Apne Saanware Yu Na | Sanjay Mittal | A Major | 8 | 11B | 78 BPM | ||
| Le Le Chal Sath Mein | Vishnu Ojha | F Major | 5 | 7B | 145 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Khela Shesh Tor Korene Mon | Gostho Gopal Das | F♯ Major | 7 | 2B | 91 BPM | ||
| Ahen Sundar Mithila Dham | Kumkum Mishra | G Major | 8 | 9B | 110 BPM | ||
| Mazya Nayani Tu Sajani | Yuvraj Pradhan | D♭ Major | 7 | 3B | 150 BPM | ||
| Shiv Ho Utrab Paar | Mithilesh Mishra | G Minor | 10 | 6A | 150 BPM | ||
| Bahe Jab Jab Purwaiya | Guddi Gilahari | F Minor | 7 | 4A | 133 BPM | ||
| Maiya Tere Dar Pe | Shri Prakash Gossai | A Major | 6 | 11B | 164 BPM | ||
| Hiya Basu | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Hichki | Champa Methi | F Major | 9 | 7B | 127 BPM | ||
| Aarti Ho Rahi Re | Sanjo Baghel | F Minor | 5 | 4A | 120 BPM |