On 2017, the song "Hichki" was released by Champa Methi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Champa Methi Hits, Vol. 12 by Champa Methi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Hichki's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hichki by Champa Methi is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Maa Hi Mandir Maa Hi Pooja | Gyanendra Sharma | E♭ Minor | 6 | 2A | 94 BPM | ||
| Uncha Neecha Chitar Gadh Ra Mehal | Champa Methi | F♯ Major | 5 | 2B | 129 BPM | ||
| Chal Koni Pai | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| Ma Durga Bhawani Mamta Rani | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Jejuricha Raja Devhari Sonyachya | Chhagan choughule | A♭ Major | 8 | 4B | 97 BPM | ||
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM | ||
| Dudaliya Banna Sa - Original | Champa Methi | F Major | 8 | 7B | 117 BPM | ||
| Garjat Aawe Maai Nawagadh Ke | Yuvraj Pandey | B♭ Major | 7 | 6B | 86 BPM | ||
| Ek Baar Awo Ji Jawai Ji Pawna | Mamta Singh | F♯ Major | 7 | 2B | 108 BPM | ||
| Cheel Gaadi Se Dilli Ghumaiyo | Deshraj Patairiya | A♭ Major | 3 | 4B | 155 BPM | ||
| Bam Bhola-Bam Bhola | Manish Tiwari | F♯ Minor | 9 | 11A | 167 BPM | ||
| Jaaye To Jaaye Kidhar | Mohammed Aziz | D Minor | 9 | 7A | 126 BPM | ||
| Karma Ri Rekha Nyari - Original | Jog Bharti | D Major | 5 | 10B | 114 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Hichki | Champa Methi | F Major | 9 | 7B | 127 BPM | ||
| Kya Batau Jamane Ki Halat | Brijesh Shastri | D♭ Major | 5 | 3B | 103 BPM | ||
| Tere Love Letter | Devinder Kohinoor | D Major | 5 | 10B | 111 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Piyar Saree | Amit Jha, Riya Jha | F Minor | 8 | 4A | 152 BPM | ||
| Jise Maut Aai | K. J. Yesudas, Laxmikant–Pyarelal | B Minor | 5 | 10A | 133 BPM | ||
| Kashtiye Umra Lage Paar | Mohammed Aziz | F♯ Major | 8 | 2B | 130 BPM | ||
| Ganga Tere Ghat Pe | Mahendra Kapoor, Alka Yagnik | A♭ Major | 5 | 4B | 144 BPM |