Sourav Bharadwaj's ' "Kahide Re Kalia" was released on its scheduled release date, August 14, 2024. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. Because this song is the only song in Kahide Re Kalia and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, Kahide Re Kalia's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Kahide Re Kalia by Sourav Bharadwaj to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surujamukhi | Aseema Panda, Kuldeep Pattanaik | B Minor | 7 | 10A | 105 BPM | ||
| Chal Ame Pakha Pakhi | Diptirekha Padhi, Ashutosh Mohanty | B♭ Minor | 9 | 3A | 105 BPM | ||
| Sab Prem Se Milkar Jay Bolo | Nandlal Chhanga | E Minor | 5 | 9A | 87 BPM | ||
| Aarti Utaranv (Kantikartik) CG Jas Song | OP Dewangan | A Minor | 8 | 8A | 136 BPM | ||
| Khani Songdari | Manik Debbarma, Rahel Kalai | A Minor | 7 | 8A | 90 BPM | ||
| MO KALIA | Sambit Kumar Mohanty, Sourav Bharadwaj, Subhrajit Jena | F♯ Minor | 6 | 11A | 109 BPM | ||
| O Nemi Niranjan (with Pratham Shah, Het Shah & Yash Vora) | Vansh Jodhavat | A Major | 6 | 11B | 120 BPM | ||
| Chalu Chalu Mun | BISHNU MOHAN KABI | A♭ Major | 8 | 4B | 66 BPM | ||
| Radha Rang | Devi Chitralekha, Shriyansh Pratap Singh, Kewal Krishan | D♭ Major | 7 | 3B | 80 BPM | ||
| Nabachaila | Antara Chakraborty, Asad Nizam, Kuldeep Pattnaik | B♭ Major | 8 | 6B | 105 BPM | ||
| Mun To Prema Rogi (From "Prema Rogi") | Udit Narayan, Tapu Mishra | C Minor | 8 | 5A | 174 BPM | ||
| Lekha Haba Premagrantha - From "Premagrantha" | Satyajeet Pradhan, Sohini Mishra, Prem Anand | D Major | 6 | 10B | 94 BPM | ||
| Sarigala Aayusha Ama Premara - Male Version | Humane Sagar | A Minor | 9 | 8A | 150 BPM | ||
| Moi Durasaro | Zublee Baruah | D Major | 3 | 10B | 90 BPM | ||
| Khatu Jaana Hai | Raj Pareek | B♭ Major | 8 | 6B | 145 BPM | ||
| Namah Parvati Pataye | Yash Desai | A♭ Major | 6 | 4B | 98 BPM | ||
| To Ratha Tanu Tanu | Md.Aziz | C Minor | 9 | 5A | 130 BPM | ||
| Smruti Pakhi - From "Dasama" | Babushaan Mohanty, Jp Wordsmith, Gaurav Anand | F♯ Minor | 6 | 11A | 90 BPM | ||
| Akasara Janha | Abinash Dash | A♭ Minor | 6 | 1A | 150 BPM | ||
| Aa Re Aa Re | Ira Mohanty | E Minor | 5 | 9A | 95 BPM | ||
| Thariba Kailash Giri | Narendra Kumar | G Major | 8 | 9B | 79 BPM | ||
| Jarurat Tamari Chhe Dil Ne | Naresh Thakor | B♭ Major | 7 | 6B | 140 BPM | ||
| Sundari Radhe | Pousali Banerjee | G Major | 4 | 9B | 97 BPM | ||
| Agneepatha - From "Operation 12/17" | Rituraj Mohanty, Baidyanath Dash, Dilip Choudhary | A♭ Major | 9 | 4B | 86 BPM | ||
| Nilapari | MrinmayMS, Rashmirekha Mishra | A♭ Major | 7 | 4B | 82 BPM |