Alexander Dargomyzhsky, Дуэт арф "Шарм"'s 'Меланхолический вальс' had a release date set for 2014. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Меланхолический вальс's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Русская музыка 18-20 вв., so we believe that "Меланхолический вальс" is a single. In terms of popularity, Меланхолический вальс is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Меланхолический вальс by Alexander Dargomyzhsky, Дуэт арф "Шарм" is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) | Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| I Masnadieri: Overture (Preludio) | Giuseppe Verdi, New Philharmonia Orchestra, Norman Jones, Lamberto Gardelli | E♭ Major | 1 | 5B | 118 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: VII. Variation VI Andantino | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 2 | 10B | 90 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Secret Garden | Alexander Dargomyzhsky, Anastasia Prokofieva, Sergey Rybin | F Major | 0 | 7B | 88 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM | ||
| Liebesleid | Fritz Kreisler, Pavel Gililov | A Major | 1 | 11B | 69 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Zamuchen tiazheloi nevolei [Tormented by a Lack of Freedom] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 169 BPM | ||
| Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | A♭ Minor | 1 | 1A | 95 BPM | ||
| The Stone Guest / Act 1: Granada was cloaked in mist | Alexander Dargomyzhsky, Olga Borodina, Semyon Skigin | D Major | 1 | 10B | 95 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Mikrokosmos, BB 105, Vol. 5: No. 127, New Hungarian Folk Song (with voice) | Béla Bartók, Jenő Jandó, Tamara Takács | E Minor | 0 | 9A | 103 BPM | ||
| Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | D♭ Major | 1 | 3B | 81 BPM | ||
| Symphony No. 2, Op. 9, "Antar": III. Allegro risoluto | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 0 | 11B | 71 BPM | ||
| Ständchen, D. 957, No. 4 | Franz Schubert, Philippe Sly, John Charles Britton | C Major | 5 | 8B | 85 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Stolze & Tchaikovsky: Onegin: Tatiana's Bedroom. Apparition of Onegin - Pas de deux (After Eugen Onegin, Op. 24) | Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | ||
| Cosmic Serenade | Astrid Voix | E Minor | 0 | 9A | 103 BPM |