"Rhaposdy In Blue" by Howard Hanson had its release date on October 4, 2018. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rhapsody In Blue, Concerto In F Major, Cuban Overture". In this album, this song's track order is #4. Based on our statistics, Rhaposdy In Blue's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rhaposdy In Blue by Howard Hanson having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| Symphony No. 2 in D-Flat Major, Op. 30, W 45 "Romantic": III. Allegro con brio | Howard Hanson, Cincinnati Pops Orchestra, Erich Kunzel | F Minor | 1 | 4A | 134 BPM | ||
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
| Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 128 BPM | ||
| Procession of the Nobles from "Mlada" Suite | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane | E♭ Major | 5 | 5B | 103 BPM | ||
| Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| L'Arlésienne Suite No. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 6 | 10B | 93 BPM | ||
| Adagio cantabile | Joseph Scianni, Eastman-Rochester Orchestra, Howard Hanson | E Minor | 1 | 9A | 134 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo - 2017 Remastered Version | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
| Pageant of P.T. Barnum: 3. General and Mrs. Tom Thumb | Douglas Moore, Eastman-Rochester Orchestra, Howard Hanson | D♭ Major | 1 | 3B | 88 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Minor | 3 | 8A | 90 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| IX. Intermezzo | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 0 | 9B | 63 BPM | ||
| VII. Death of Tybalt | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM | ||
| Third Concerto for Piano and Orchestra, Op. 50: I. Allegro molto | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic | G Major | 2 | 9B | 143 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Mississippi Suite: 1. Father of Waters | Ferde Grofé, Eastman-Rochester Orchestra, Howard Hanson | C Major | 3 | 8B | 94 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
| The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM |