Mew's 'Wherever' had a release date set for 1997. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 3 out of 23 in A Triumph For Man by Mew. In terms of popularity, Wherever is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wherever by Mew is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psychosomatica | Bedhead | E Major | 9 | 12B | 155 BPM | ||
| Ghostship | Cassette 4 UR Crush | C Major | 7 | 8B | 124 BPM | ||
| The Smoke Will Lead You Home | Logh | B Major | 5 | 1B | 120 BPM | ||
| Cartoons And Macramé Wounds | Mew | F♯ Minor | 5 | 11A | 137 BPM | ||
| Big Day Coming | Yo La Tengo | A♭ Major | 2 | 4B | 78 BPM | ||
| My Girl You Blush | moi Caprice | D Major | 8 | 10B | 126 BPM | ||
| 156 | Mew | A Major | 8 | 11B | 167 BPM | ||
| One More Robot / Sympathy 3000-21 | The Flaming Lips | D♭ Minor | 8 | 12A | 81 BPM | ||
| Honeymoon | Bon Voyage | A♭ Major | 7 | 4B | 114 BPM | ||
| 400 Winters | Bark Psychosis | G Major | 6 | 9B | 134 BPM | ||
| Everything With You | The Pains Of Being Pure At Heart | A Major | 9 | 11B | 115 BPM | ||
| Last Embrace | Marty Andersson, Kenny Dyer | A♭ Major | 6 | 4B | 140 BPM | ||
| Missile Command | Shallow | C Major | 7 | 8B | 184 BPM | ||
| Why Would I Want to Die | Grandaddy | B♭ Major | 3 | 6B | 135 BPM | ||
| Keep Your Dreams | Primal Scream | E Major | 8 | 12B | 147 BPM | ||
| We Climb the Wired Fences | The Radio Dept. | C Major | 8 | 8B | 123 BPM | ||
| The Day We Left Town | Magnet | F♯ Minor | 5 | 11A | 121 BPM | ||
| Mistress | Red House Painters | B♭ Major | 6 | 6B | 160 BPM | ||
| Oh Father | My Vitriol | E♭ Major | 9 | 5B | 158 BPM | ||
| The Magic In My Head | Daniel Land & The Modern Painters | E Major | 6 | 12B | 150 BPM | ||
| You Sweet Talker | Airiel | F♯ Major | 8 | 2B | 175 BPM | ||
| I Should Have Been A Tsin-tsi (for You) | Mew | D♭ Minor | 8 | 12A | 152 BPM | ||
| Black Ghost | Gay Dad | E Major | 8 | 12B | 154 BPM | ||
| Web | Mew | B♭ Major | 7 | 6B | 104 BPM | ||
| Saturday | Yo La Tengo | D Major | 7 | 10B | 114 BPM |