Camille Saint-Saëns, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm's 'Der Karneval der Tiere, R. 125: Der Mehlwurm wirft den Schildkröten... – V. Der Elefant' had a release date set for January 1, 1975. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Prokofiev: Peter und der Wolf / Saint-Saëns: Der Karneval der Tiere". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Karneval der Tiere, R. 125: Der Mehlwurm wirft den Schildkröten... – V. Der Elefant's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Karneval der Tiere, R. 125: Der Mehlwurm wirft den Schildkröten... – V. Der Elefant by Camille Saint-Saëns, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
| Strauss II, J: Die Fledermaus: Ouvertüre | Johann Strauss II, Clemens Krauss, Wiener Philharmoniker | D Major | 3 | 10B | 132 BPM | ||
| Der Freischütz, J. 277, Act III: Genug der Freuden des Mahls | Carl Maria von Weber, Otto Mellies, Gerd Biewer, Hans Jörn Weber, Regina Jeske, Gerhard Paul | E Minor | 4 | 9A | 111 BPM | ||
| Peter und der Wolf, Op. 67: I. Vorspiel: Peter und der Wolf – ein musikalisches Märchen | Sergei Prokofiev, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | A♭ Major | 0 | 4B | 97 BPM | ||
| Teil 6 - Folge 37: Professor van Dusen und der Vampir von Brooklyn | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Heinz Giese, Detlef Bierstedt, Klaus Jepsen, Andreas Thieck, Hilde Doelker, Gerd Duwner, Dorothea Hanke, Ortwin Speer, Will Hollers | B Minor | 5 | 10A | 123 BPM | ||
| Paddington Bärs erstes Konzert: IV. Paddington Bahnhof | Herbert R. Chappell, Ranga Yogeshwar, Paul Goodwin | C Major | 2 | 8B | 107 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 Appendix | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 86 BPM | ||
| Pictures at an Exhibition: The Great Gate of Kiev. Allegro Alla Breve. Maestoso. Con grandezza | Modest Mussorgsky, Ivo Pogorelich | E♭ Major | 2 | 5B | 112 BPM | ||
| Suite for Cello and Orchestra, Op. 16: Tarantelle | Camille Saint-Saëns, Steven Isserlis, Christoph Eschenbach | D Major | 2 | 10B | 173 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Sonnenaufgang | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | A Major | 4 | 11B | 98 BPM | ||
| Peter und der Wolf, Op. 67: IV. Die Ente. Und tatsächlich! Kaum war Peter fort... | Sergei Prokofiev, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Minor | 0 | 5A | 146 BPM | ||
| Symphony No. 7 in E Minor: IVb. Figure 197 | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B♭ Major | 2 | 6B | 116 BPM | ||
| Chants du Rhin: Le départ | Georges Bizet, Peter Vanhove | E Major | 1 | 12B | 64 BPM | ||
| 交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
| Carmina Burana: VIII. Chramer, gip die varwe mir | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
| Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 125 BPM | ||
| Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 82 BPM | ||
| Le Carnaval des Animaux, R. 125: IX. The Cuckoo in the Depths of the Forest | Camille Saint-Saëns, Seiji Ozawa, Garrick Ohlsson, John Browning, Boston Symphony Orchestra | A♭ Major | 1 | 4B | 77 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, The Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
| Strauss: Dorfschwalben aus Österreich Op. 164 | Josef Strauss, Nikolaus Harnoncourt, Wiener Philharmoniker | E♭ Major | 1 | 5B | 180 BPM | ||
| The Emperor Waltz | The Ball Orchestra Of Vienna | C Major | 0 | 8B | 89 BPM | ||
| The Bartered Bride, JB 1:100: Overture | Bedřich Smetana, Czech Philharmonic, Zdeněk Košler | C Major | 2 | 8B | 97 BPM | ||
| Champagner Polka, Musikalischer Scherz, Op. 211 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | E♭ Major | 5 | 5B | 74 BPM |