- BPM
- 74
- Key
- E♭ Major
- Camelot
- 5B
Champagner Polka, Musikalischer Scherz, Op. 211 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker Song Details
Johann Strauss II, Riccardo Muti, Wiener Philharmoniker's ' "Champagner Polka, Musikalischer Scherz, Op. 211" was released on its scheduled release date, 2004. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Champagner Polka, Musikalischer Scherz, Op. 211's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Neujahrskonzert / New Year's Concert 2004". In this album, this song's track order is #9. Champagner Polka, Musikalischer Scherz, Op. 211 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Champagner Polka, Musikalischer Scherz, Op. 211 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -18.637 dB
- Acousticness
- 88%
- Danceability
- 58%
- Energy
- 54%
- Instrumentalness
- 93%
- Liveness
- 74%
- Loudness
- 69%
- Speechiness
- 42%
- Valence
- 77%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verdi: Aida, Act 2: Marcia trionfale | Giuseppe Verdi, Riccardo Muti, Trumpeters of the Royal Military School of Music, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 120 BPM | |
 | Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | |
 | Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | |
 | Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | |
 | Musetta's Waltz | Giacomo Puccini, Arthur Fiedler | A Major | 1 | 11B | 68 BPM | |
 | 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor | Johannes Brahms, Gewandhausorchester, Kurt Masur | D Minor | 1 | 7A | 140 BPM | |
 | Seid umschlungen, Millionen! Op.443 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | |
 | Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | |
 | Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | |
 | Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | |
 | Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | |
 | Carmen Suite No. 2: IV. Chanson du toréador (Act II) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 2 | 7B | 116 BPM | |
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | |
| Voices Of Spring, Op. 410 | Johann Strauss II, Richard Genée, Marko Letonja, Lorina Gore, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | |
 | Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | Slavonic Dances, Op. 46: No. 1, Furiant | Antonín Dvořák, Orquesta Reino de Aragón, Ricardo Casero | C Major | 1 | 8B | 105 BPM | |
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | |
 | Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | |
 | Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | |
 | Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | |
 | Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records