Junior Wells's ' "Come On In The House" was released on its scheduled release date, 1957. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Come On In The House's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 24 in Calling All Blues - The Chief, Profile & USA Recordings 1957-1963 by Junior Wells. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Come On In The House is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Come On In The House by Junior Wells is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues All Day Long (Blues Leave Me Alone) - Single Version | Jimmy Rogers | A Major | 6 | 11B | 69 BPM | ||
| Stack-O-Lee | Champion Jack Dupree | A♭ Major | 3 | 4B | 108 BPM | ||
| Empty Arms | Eddie Boyd | G Major | 4 | 9B | 140 BPM | ||
| Evenin' | T-Bone Walker | A Minor | 2 | 8A | 85 BPM | ||
| Can't Listen No More | Big Joe Williams | C Major | 2 | 8B | 103 BPM | ||
| Every Time I Get To Drinking | Sunnyland Slim | A Major | 4 | 11B | 81 BPM | ||
| Hate To See You Go | Little Walter | C Minor | 5 | 5A | 186 BPM | ||
| This Is My Last Goodbye | William Clarke | G Major | 5 | 9B | 97 BPM | ||
| Beefsteak Blues | James "Son" Thomas | G Major | 2 | 9B | 136 BPM | ||
| Trouble, Trouble | Lowell Fulson | C Major | 2 | 8B | 95 BPM | ||
| Come On In The House | Junior Wells | E Minor | 5 | 9A | 74 BPM | ||
| After Hours | Roy Buchanan | C Major | 5 | 8B | 174 BPM | ||
| The Woman I'm Lovin' | Homesick James | G Major | 4 | 9B | 147 BPM | ||
| Prison Bars All Around Me | Junior Wells | G Major | 6 | 9B | 121 BPM | ||
| Frankie & Johnny | Champion Jack Dupree | B♭ Major | 4 | 6B | 109 BPM | ||
| Working Man | Otis Rush | C Major | 6 | 8B | 103 BPM | ||
| Out of Bad Luck | Magic Sam | F Major | 5 | 7B | 109 BPM | ||
| Gambler's Blues | Otis Rush | D Major | 5 | 10B | 181 BPM | ||
| New Sweet Black Angel | Earl Hooker | A Major | 4 | 11B | 100 BPM | ||
| Voodoo Boogie | J.B. Lenoir | F Major | 5 | 7B | 134 BPM | ||
| Whistlin' Pines | Big Joe Williams | A Major | 3 | 11B | 95 BPM | ||
| Shake 'Em on Down (Version 2) | Bukka White | F♯ Major | 4 | 2B | 129 BPM | ||
| Dream Girl | Slim Harpo | D♭ Minor | 5 | 12A | 68 BPM | ||
| Spoonful | Willie Dixon | F Major | 4 | 7B | 118 BPM | ||
| Your Funeral And My Trial | Sonny Boy Williamson II | G Major | 5 | 9B | 105 BPM |