On April 15, 2000, the song "Sundar Te Dhyan" was released by Ajit Kadkade. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Sundar Te Dhyan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Sampoorna Haripaath". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Sundar Te Dhyan is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sundar Te Dhyan by Ajit Kadkade having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swaminchya Darbaari Kaay Kami | Ajit Kadkade | E♭ Major | 7 | 5B | 113 BPM | ||
| Swami Kripa Kadhi Karnaar | Ajit Kadkade | B♭ Major | 5 | 6B | 102 BPM | ||
| Mangal Mandir Kholo | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | A Major | 4 | 11B | 140 BPM | ||
| Mala He Dattaguru, Pt. 2 | Asha Bhosle | F Major | 4 | 7B | 126 BPM | ||
| Roopi Zadle Lochan | Rahul Deshpande | D Minor | 5 | 7A | 113 BPM | ||
| Aga Nirguna Nishchala Tuch Re | Swapnil Bandodkar | B♭ Minor | 8 | 3A | 98 BPM | ||
| Mile Jyane Mukti Aaise | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Shree Ramchandra Krupalu Bhajman | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Pandharichya Vithuraya - Studio | Sanjeev Abhyankar | F♯ Major | 3 | 2B | 73 BPM | ||
| Naam Vitthal Vitthal Gheu | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Ramkrishna Sharanam | Debasish Dutta | F Minor | 3 | 4A | 137 BPM | ||
| Jala Kamal Chhandi Ja | Jawahar Baxi | E♭ Major | 5 | 5B | 102 BPM | ||
| Shri Swami Samartha Ashtak | Meher Paralikar, Abhijit Bartakke | B♭ Minor | 4 | 3A | 118 BPM | ||
| Krishna Hai Krishna Hai | Pujya Bhaishree Rameshbhai Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Jai Jai Mere Baba | Chaitali Paul Choudhary, Manoj Gaur, Sunny Nair, Soham Chakraborty, Jaya Piyush | D♭ Minor | 7 | 12A | 97 BPM | ||
| Muralidharsham - Katyar Kaljat Ghusli | Mahesh Kale | F♯ Minor | 7 | 11A | 130 BPM | ||
| Tuch Sur Thawa Majsi | Ajit Kadkade | D♭ Major | 6 | 3B | 140 BPM | ||
| Chandrabhage Tiri Pandhari | Prahlad Shinde | B♭ Minor | 7 | 3A | 97 BPM | ||
| Vithal Geeti Gava | Bhimsen Joshi | D Major | 4 | 10B | 80 BPM | ||
| He Bholya Shankara | Saraswati Tai, Nagnath Patil | E♭ Minor | 8 | 2A | 104 BPM | ||
| Datta Pathirakha | Mugdha Vaishampayan, Prathamesh Laghate | F Major | 4 | 7B | 124 BPM | ||
| Gurubrahma Guruvishnu Gurudevo Maheswara - Shree Datta Stuti | Mandhar apte | F♯ Minor | 6 | 11A | 172 BPM | ||
| Aadhi Rachili Pandhari | Manna Dey | E♭ Major | 5 | 5B | 104 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Chala Alandila Jau | Vishnubuva Wavanjekar | D♭ Major | 4 | 3B | 104 BPM |